Crisp.

An experimental film shot with the purpose of trying to create a hostile alien environment using only shots of nature, color correction, and sound design.

Video art piece by Michigan artist Gio Orlando.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

August 2019. Frank recognizes his own story of twenty years ago in a recently published book. He remembers Marie, with whom he had a relationship before she moved to the United States and disappeared from his life. Frank sets out in search of her and finds himself in a USA petrified by a heat wave and lost in suspicion and political paranoia. He heads into the desert in pursuit of Marie.

ANA is: a) An investigation of a cyber-sect linked to the disappearances of several women online. b) A moodboard of the aesthetization of self-destruction. c) A found footage documentary about today's subcultures.

A tragic story of a musician taking a bold voyage in the pursuit of creation, ambition, and need. Letting life choose for him, as part of the art itself and coming to terms with his decisions.

Short experimental 16mm film.

The interface of contrary realities is torn. Passion and fear of unbelievable strength are connecting and scattering the siblings. What remains: the search for love - the getaway into another reality?

A story of broken humanity following the invasion of a technologically superior alien species. Bleak, harrowing, and unrelenting, the humans must find enough courage to go on fighting.

Slowed, stowed, achingly retold.

After a brutal robbery, a Shopkeeper sets out to get back what was stolen from him: his pride. Featuring a unique blend of fiction and reality.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.

A chair, a yogurt, and a masked man are guided to find themselves by an unknown entity.

Each day after work, Carlos, a language school teacher, frequents the heady surroundings of his local cruising ground. One evening he encounters a teenage boy from his class named Toni, and the two engage in a brief sexual tryst. As the relationship between teacher and student begins to develop, some dark truths emerge about the young man and his mysterious group of friends.

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.