Weightless Bird In A Falling Cage

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

After a couple adopts a pair of orphaned brothers, it becomes alarmingly clear the boys are much more than they seem.

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.

Miyako starts a live-in maid job and quickly discovers that housecleaning is the least of her duties, as her employers use the maids in their twisted fantasies. Her co-worker Mai-chan, who can miraculously recover from any injury, becomes the focus of horrific, indulgent violence that Miyako is soon drawn into.

A Schmelzdahin short wherein a print of a portion of Nosferatu (including the iconic shot of the vampire on the boat) has been degraded and abstracted through the bacterialogical decomposition, disintegration, and chemical processes Schmelzdahin would use.

A Polish folktale set in the Middle Ages, tells the story of a man, whose eyes, or the gaze of them, brings upon death.

A young man desperately seeks out the fleeting image of a female companion, and though he never quite catches her, he discovers much more through the surreal explorations of his own sexuality. Preserved by the Academy Film Archive in 2012.

A slow-burning prairie grotesque. On the grounds of a rural sanitarium, three young women search for wellness, as a cult leader seeks to control their bodies through labor and daily rituals.

CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.

A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.

After encountering Lensface at the 2019 Unnamed Footage Festival, Filmmaker Travis Z. (Cabin Fever 2016, The Midnight Man) became obsessed with the voyeuristic cryptic, and spiraled into madness, leaving only this bizarre collection of surreal and horrific footage.

A transgender teenage girl on summer vacation in LA fights to survive after she falls in with four queer feminist vampires, who try to rid the city's streets of predatory men.

Cemetery watchman, Francesco Dellamorte, is tasked with dispatching the recently deceased when they rise from their graves.

A lonesome man at the threshold of death finds himself trapped in a place called the Endless.

A family embraces the heart of evil in this Poltergeist remake/drag-show circa 1992.

A former circus artist escapes from a mental hospital to rejoin his mother – the leader of a strange religious cult – and is forced to enact brutal murders in her name.

A meteorite, strange vegetation, a colour: an experimental take on H.P. Lovecraft's spiral into madness, shot with a vintage camera on truly unique LomoChrome 16mm film.

Filmed before his feature-length Arrebato, Zulueta’s Frank Stein is a personal reading of horror cult classic Frankenstein (1931), filmed directly from its television broadcast and reducing Whale’s original to only three packed and dizzying minutes, during which the film's sensitive monster evolves at an unusual rate.

In a surreal, industrial dystopia, a travelling salesman encounters a singing behemoth. This towering, two-headed monstrosity tempts him with a terrifying (but lucrative) proposition.

An abandoned seaside resort. The shooting for a fantasy film about the end of an era wraps up. Two women, both members of the film crew, one an actrice, the other a director, Apocalypse and Joy, are on the verge of concluding their love affair.