Selfie King

A single mother suffers a devastating stroke leaving her teenage daughter and 7-year-old son to care for her, testing the family's strength to hold things together as their roles are reversed.

A young woman relives the events leading to up an act of violence, as she leaves her house and walks to a police station to meet with the victim.

A Place of Our Own

A female election agent and a gun-toting soldier try to collect votes among the local islanders with mixed success.

A dramatization of raid to capture a suspected militant by the Israeli Defense Forces during the Second Intifada into the sprawling maze of the Balata Refugee Camp in Palestine.

Emma approaches adulthood, she tries to live an ordinary life and keep up to her late mothers expectations. However her anxiety weighs over her, stopping her from enjoying the last few youthful years.

The managers of a textile enterprise use various scams to obtain all kinds of personal benefits, until the machinations exposed.

The son of an orthodox Carnatic Musician spreads awareness about social causes against his father's will, and gains the trust of local people and brings self-awareness to neighbouring villages.

A portrayal of the lives of the people living in North Madras, focusing on the politics inside the slums and how their plight remains the same, despite the political class luring them constantly during elections.

Moira

An eclectic group of passengers travelling from Delhi to Mumbai aboard the Rajdhani Express has to deal with an unexpected situation.

Bakit may Kahapon Pa? (Why Is There a Yesterday?) is a 1996 Filipino drama film directed by Joel Lamangan. It is about a village girl who is mysteriously spared when a platoon of soldiers led by Colonel Valderamma (Garcia) massacres her family along with peasants accused of sympathizing with the communists. When the girl has grown up, her body has healed but her mind is yet to recover from the horrible experience. She continues to thirst for revenge and crafts a scheme to exact retribution. She eyes the head of the military mission who instigated the carnage that she survived. He is now a well-admired retiring general who is about to cap his career with the service's highest honors.

This is the story of a popular singer-actress (Aunor) who went into seclusion after the traumatic experience of watching her pregnant sister die in the wake of a stampede of her fans. Nearly twenty years later she took in a young girl who wanted to be a star and tried to mold her into a copy of what she was before. With her she also picked up the pieces of the life she placed on hold and now was wishing to resume not as the star she was but as an involved caring and loving person.

Salve, a content barrio lass, is married to Alfred, an aspiring politician. Alfred meets Via finds out that they can both be very useful to each other's lives. He is set on pursuing a political career and Via is from a powerful political family that wants to continue to govern the land. Together, Albert and Via plan a scheme to get rid of Salve. But Salve survives the carnage. Salve takes revenge.

The film is about the moral contradictions between a victim dog seen as an outsider and a member of household who ruins the dog's house, and all the households are involved in this case.