Black Sunfight

The ultimate Bobby Jones golf series reaches its climactic conclusion on board a speeding train to oblivion.

Johann Lurf‘s film Endeavour slides between documentary, avant-garde film, and science-fiction. This highly singular combination of materials and techniques gives the viewer of Endeavour a feeling of flight, as the film continually evades the gravity of genres and definitive definitions. Lurf uses NASA footage from a day and a night launch of the space-shuttle that follows the booster rockets from take-off to splashdown.

This is a story about people whose invisible job is to clean up the world that is hidden from our society.

In the short documentary GERD HANSEN, 55 Jochen Hick talks about an aging gay masseur and the times before AIDS. The film was premiered at the International Short Film Festival Oberhausen in 1987 and received the Prize of the German Film Critics.

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

Theatre of War is an essay on how to represent war, performed by former enemies. British and Argentinian veterans of the Falklands war come together to discuss, rehearse and re-enact their memories 35 years after the conflict.

A look at the ruins of the ancient city of Angkor. The largest collection of sculptures the world has ever seen - an entire metropolis of palaces and temples recovered from the jungle.

In 1968, a convoy set off to transport a Calandria, the 70-ton core of a Canadian nuclear reactor, to Rajasthan in India. Even the largest semi-trailers could not keep up with this transport, which drove over specially reinforced roads and through city walls that had been demolished to make room.

Short documentary about Twin Peaks: The Return.

Love Costs Everything maps the history of Christian persecution from the first Christian martyrs to seven present-day stories of faith that knows no price. In the face of persecution, these followers of Christ fear compromise more than death itself. Filmed in Iraq, Columbia, India, Egypt, France and the United States, this feature-length documentary includes commentary from United States Congressmen, foreign government officials, religious leaders and scholars.

An experimental documentary that explores Saudi Arabia's relationship with the U.S. and the role this has played in the war in Afghanistan.

This 13-minute short subject, marketed as an educational film, records a slice of life in the Watts neighborhood of Los Angeles prior to the rebellions of 1965. Filmmakers Trevor Greenwood, Robert Dickson and Alan Gorg were UCLA film students when they crafted a documentary from the perspective of the unassuming-yet-articulate teenager Felicia Bragg, a high-school student of African-American and Hispanic descent. Felicia’s first-person narrative reflects her hopes and frustrations as she annotates footage of her family, school and neighborhood, creating a time capsule that’s both historically and culturally significant. Its provenance as an educational film continues today as university courses use "Felicia" to teach documentary filmmaking techniques and cite it as an example of how non-traditional sources, as well as mainstream television news, reflect and influence public opinion.

The documentary tells the story of one day in Smara, a refugee camp in the south of Algeria. A handmade symbolic toke takes us through the lives of six characters and the reality of the situation in Sahara: The past, present and future of a population without land who want that their words will be heard by the world.

Music elates, touches the soul and bypasses reason. Music is magic. But precisely this magic can turn it into an insidious weapon for music and violence belong together. The brutal power of African war dances, the ferocity of Maori Hakas, the earth-shattering roar of US sound guns blasting Metallica at Taliban hideouts the principle is always the same: Aggressive sounds demoralise the enemy and whip the allies into a frenzy. In Songs of War, director Tristan Chytroschek explores the extraordinary harmony between music and violence. Sesame Street composer, Christopher Cerf, always wanted his music to be fun and entertaining. But then he learned that his songs had been used to torture prisoners in Guantanamo and Abu Ghraib. He is stunned by this abuse of his work and wants to find out how this could happen.

Can two strangers really fall in love by asking each other 36 psychologist-approved questions and staring into each other's eyes for four minutes straight?

Van der Keuken juxtaposes images of Dutch children learning to read against those of the coup d'état in Chile.

A short, impressionistic documentary about the extremely precise process behind the creation of an autoclave (a reaction container) for a nuclear power plant. Otherworldly electroacoustic soundtrack by Oskar Sala.

Edward R. Murrow narrates Humphrey Jennings' short documentary about life in England during wartime.

Basically we just drove around aimlessly, stopping any time we saw something or someone that interested us and one thing would lead to another and the universe would pull us in one direction or another. Most of what you’re seeing in the final film is the entirety of our interaction with these guys. It was quick and to the point and I didn’t even interview people besides the occasional “Any words of wisdom?” So what we got was a whole bunch of people telling stories and talking about whatever was on their mind. It was a strange and exciting journey that took us to a lot of places we didn’t expect.

Advertising short for Chevrolet combining live action and animation. The film relates the story of Gilbert Willoughby, who, exasperated by his stubborn boxspring mattress, imprudently wishes for the disappearance of springs. Coily, the animated spring sprite, grants his wish, and Gilbert is bedeviled by once-familar appliances that no longer function. Apolo­gizing to Coily, Gilbert acknowledges the contribution of springs to daily life, especially in the Chevrolet.