The plot of the film unfolds in the ancient monastery of Dokhiar on the west coast of Mount Athos, on the Aegean peninsula. This peninsula is given to the exclusive use of the monks of Eastern Christianity. Images of nature are woven into a virtually uninterrupted series of work and prayer, lining up in the rhythmic interrelation of man and nature. The central figure of the film was the monastery’s elder, Hegumen Gregory, whose long-term experience of spiritual nourishment rewarded him with a deep understanding of the human soul and her desire to return to the state characteristic of Adam’s human nature before the fall.
The collection "Moscow Golden-Domed" includes documentaries from the history of the capital. "Egoriy the Brave" about the Holy Great Martyr George the Victorious, whose image has adorned temples, princely and royal coats of arms, and banners of Russian troops since ancient times. The film "Reigning" tells about the appearance in Rus' in 1917, on the day of the abdication of Nicholas II, a new icon of the Reigning Mother of God. "Vratarnitsa" is a film about a chapel where Muscovites from time immemorial worshiped the icon of the Mother of God of Iberia. "The First Dean" - a story about the Church of the Resurrection of Christ in Sokolniki - one of the most remarkable in Moscow. The parishioners still remember the builder and first rector of the temple, Father John Kedrov. Filmed from 1993 to 1996.
Insides and Outsides is a documentary film project, which captures a timeline from the end of 2019, when the CAA/NRC protests were at their peak, till 2022 when the pandemic had upturned everyone's personal life. In an increasingly hostile environment of escalating violence, Arbab explores what it is like being a Muslim in India. The film ebbs and flows between looking outside, where a constant stream of hate erupts, and inside, where Arbab's parents renegotiate their place in the country with changing times.
A documentary about the confluence of Christianity and mixed martial arts, including ministries which train fighters. The film follows several pastors and popular fighters in their quest to reconcile their faith with a sport that many consider violent and barbaric. Faith is tried and questions are raised. Can you really love your neighbor as yourself and then punch him in the face?
Bas Jan Ader's first fall film shows him seated on a chair, tumbling from the roof of his two-storey house in the Inland Empire.
Bas Jan Ader rides his bike into a canal in Amsterdam.
This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
Bas Jan Ader hangs from the branch of a tall tree, until he loses his grip and falls into a river below.
Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.
Moving Together is a celebratory love letter to music and dance that brims with kinetic life and energy. This documentary explores the intricate collaboration between dancers and musicians, moving seamlessly between Flamenco, Modern, and New Orleans Second Line.
A documentary film about men, women, and children fleeing northward from the existential threats in their home countries of Honduras, El Salvador, and Guatemala. They embark on a perilous journey with an uncertain outcome. Shortly after crossing the southern Mexican border, they find shelter with people who want to help them survive the ordeal of the at least 1,700-kilometer journey to the US.
A fascinating new look at the biblical, historical, and scientific evidence for Creation and the Flood. Learn from more than a dozen scientists and scholars as they explore the world around us in light of Genesis. Dr. Del Tackett, creator of The Truth Project, hikes through canyons, climbs up mountains, and dives below the sea in an exploration of two competing views... one compelling truth.
In the week when Hindus celebrate the holy festival of Diwali, this documentary tells the story of one of their faith's most sacred symbols - the swastika. For many, the swastika has become a symbol synonymous with the Nazis and fascism. But this film reveals the fascinating and complex history of an emblem that is, in fact, a religious symbol, with a sacred past. For the almost one billion Hindus around the world, the swastika lies at the heart of religious practices and beliefs, as an emblem of benevolence, luck and good fortune.
Three men embark on a journey in search of meaning and happiness in the autumn of their lives: Bob swaps his safe home for a camper van and tries to find himself in the barren Californian desert; Steve, drag queen and stand-up comedian, is fed up of England and makes amends with his past in Benidorm; Yamada rediscovers his smile by reading stories to children in Tokyo.
The film presents the Bible's account of God's plan from the creation of the earth through to the end of the 1,000 year reign of Christ.
In Córdoba, far from the Argentine capital, the end of a military regime promises a spring that is all too brief. “La Delpi” is the only survivor of a group of friends who are transgender women and drag-queens, who began to die of aids in the late 80s. In a Catholic and conservative city, the Grupo Kalas made their weapons and trenches out of improvised dresses and lip-syncing. Today the images of unique and unknown footage are not only a farewell letter, but a manifesto to friendship.
A study of England's history, with particular emphasis on the role religion has played in shaping the nation and its people. Includes scenes of Stonehenge, the sanctuary at Glastonbury, the fortress of Maiden Castle, and Bamburg Castle. (worldcat.org)
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
Rafaela, an 80-year-old woman, has a long conversation with her grandson, going over his path from childhood to old age. Now that she has been diagnosed with chronic breast cancer, faith is more present in her life than ever, which coexists with Rafaela's fear of death, and her grandson's fear of dying.
Bible expert Bill Gallatin explores biblical prophecies from the Book of Revelation that have transpired, with a discussion of whether these events signify that we are now living in the End Times preceding the return of Jesus Christ. Gallatin touches on events such as the increasingly acute difficulties in the Middle East, numerous environmental catastrophes, earthquakes and more, explaining how they connect to scriptural writings.