Dirty Harry: The Original

Documentary short film depicting the filmmaking activity at the Paramount Studios in Hollywood, featuring dozens of stars captured candidly and at work.

This excerpt from A Pale Blue Dot was inspired by an image taken, at Carl Sagan's suggestion, by Voyager 1 on February 14, 1990.

Who is Jocky Wilson? 20 years ago every child in Kirkcaldy, on the east coast of Scotland, could answer this question. One of the best darts players ever, world champion in 1982 and 1989 - a national hero. But in '95 Jocky paid the price for his self destructive life style. In search of his myth, we follow the forces that shaped Jocky's hometown and its inhabitants as we discover lost memories of the man who once inspired the nation.

A fantastic journey through the world of Renato Casaro, one of the most important illustrators that the world’s film poster industry has ever known.

The film shows the manufacture of a luxury edition of "Mein Kampf" on real parchment, handwritten.

This short documentary produced by the University of Oregon Multimedia Journalism graduate program explores memories of Portland's Japantown – Nihonmachi – and the thriving Japanese American community in Oregon prior to World War II. The film features Chisao Hata, an artist, teacher and activist, and Jean Matsumoto, who was incarcerated at the Portland Assembly Center and in the Minidoka concentration camp as a child.

This is an animated documentary about FOOD! I interviewed vegetarian, vegan, pescetarian and meat eater about their opinions about food and life choices. Then I animate real food with stop-motion technique based on the interviews. By putting the conversations in different context, the food speak for themselves.

The relationship between the city and a car, through a dialogue where a common reality and "making a city" are disputed and revealed.

A look at the horror movies of the 1980's.

Short documentary about eels

In this home movie collection of gay men, memory serves as an act of hope, power, and above all, resilience.

A youngster writes a letter to his grandmother about his last trip to Donosti (Spain). This city inspires him to ponder about the language of cinema, time, cities, and sharing memories with our loved ones.

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1947.

The 5th anniversary of the inner-German wall to West Germany and West Berlin is on the agenda. The necessity of erecting the border is illustrated by comparing the situation in 1939 and the situation in the summer of 1961 with regard to the "threat of intervention" by the Western powers. Berlin people and GDR border guards are interviewed.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Documentarian Jon Boorstin follows architect Frank Gehry and his sister, Doreen Gehry Nelson, as they attempt a new method of teaching elementary school children in Los Angeles. With funding from the National Endowment for the Arts, the siblings work together on a pilot program of “design-based learning” that would restructure the typical classroom curriculum, replacing rote math or civics lessons with an imaginary city designed and built entirely by the students themselves. Restored in 2018 by the Academy Film Archive.

Chennu committed his first crime when he was 15 years old: being a street kid. And he entered hell: Pademba Road. The adult prison in Freetown. In hell, Mr. Sillah is in charge, and there is no hope. Chennu got out after four years. Now he wants to go back.

There are children. There are those who abuse them. And there are those who know, but never tell.

They set off, looking for work in far-off places, but disappeared along the way. Inspired by Shiv Kumar Batalvi’s “birha” poetry, the film traces the longing on both sides: on the part of those who are missing, and those that wait for them to return.