Nomad Meets the City

Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.

The follow-up film to “Barstow, California” takes us to the mountains of Miyama, a remote forest and tourist area north of Kyoto. Uwe Walter, a shakuhachi player from Germany, lives there with his wife Mitsuyo for 30 years. Together with the villagers he prepares the annual Gion Festival. On the eve of the festival, the village representatives tell him that his self-built studio is to be demolished. This brings back memories for him of earlier times and his first steps as a Nō actor. In the manner of a fresco, the film interweaves rural depictions of everyday life with the story of its German protagonist. In the village community with its togetherness of generations, Uwe shares life with his neighbours, with farmers, hunters, woodsmen, poultry farmers and anglers, tills his kitchen garden, and like other tradition-conscious villagers, he also grows his rice. The film shows them in a harsh mountain landscape between the rainy season and the first snow.

A heartwarming story about a precautious, 8-year-old girl exploring the world with her globetrotting father and growing up in an unconventional family.

The views and thoughts of Canadian writer Margaret Atwood have never been more relevant than today. Readers turn to her work for answers as they confront the rise of authoritarian leaders, deal with increasingly intrusive technologies, and discuss climate change. Her books are useful as survival tools for hard times. But few know her private life. Who is the woman behind the stories? How does she always seem to know what is coming?

Province of Lugo, Galicia, Spain. A year in the life of A Fonsagrada, a rural region whose inhabitants live both near and far from urban civilization; a praise of the distance that crosses the four seasons of the year, whose inevitable passage transforms both the natural environment and the existence of people, a simple, dignified and peaceful existence.

A couple decides to watch Big, a successful film released in 1988, starring Tom Hanks and directed by Penny Marshall, not once, but thirty times, sometimes accompanied by family and friends who come to their home to watch and discuss it.

Amina lives with an invisible chronic illness that has imprisoned her in an exhausted body. To better understand this elusive illness, her brother Liam makes her a room of her own where she can exist as something other than a patient.

A mother and daughter, estranged by divorce and mental health issues, reconnect through patience, understanding, and their a shared appreciation of their Native Hawaiian heritage.

The world seen through the eyes of children. The action takes place in Karosta, the former military port of Liepaja city – however, it is not that important, as the film could take place anywhere. We observe children playing on the beach, revealing the core of Pakalnina’s work: perceiving and transmitting emotions.

A strange story from Somerset, England about a filmmaking farmer and the inspiring legacy of his long-lost home movies.

A documentary of the life of camel herders and the culture of adopting an orphan camel by "seducing" a mother-camel through a morin khuur (a horse fiddle) melody.

A provocative and poetic exploration of how the British people have seen their own land through more than a century of cinema. A hallucinated journey of immense beauty and brutality. A kaleidoscopic essay on how magic and madness have linked human beings to nature since the beginning of time.

Shot on the farm of the Director's grandfather, the short film "Remember me?" shows how certain places can be sources of great inspiration and nostalgia.

A photojournalist turns her lens on the decades of sexual abuse her family and community experienced at the hands of her grandfather in this unflinching portrait of intergenerational trauma, family secrets, and redemption.

A well-established writer fights his family demons while the dreamers on top of the hill struggle with their health and hope for good fortune. A successful businesswoman has plenty of the latter; still, when her daughter’s singing career takes off, she starts questioning her own professional choices. A nagging doubt is also tormenting an underwater construction worker, who wants to show his son a mysterious dark lake. This visually striking film is a subtle narrative, a love story between people and a fading city.

In the Frozen Tomb of Mongolia

It documents the life of a couple of grandparents in their rural home, showing their connection with nature and their daily tasks. Through simple recordings, the director, their granddaughter, explores the importance of family ties.

Puolanka, a tiny village in Northern Finland is famous for its population decline, but also for its dark sense of humor about it. As the long summer evenings stretch out, teenage boys celebrate their new driver’s licences by endlessly circling the same few streets, while an older generation of local gents, proudly known as The Parliament, has already parked itself permanently at the petrol station café. Here, hunting and the legendary “Pussy Rally” aren’t taboos but badges of cultural identity. The only mystery that seems unsolved: where have all the women gone?

In his heartfelt documentary, co-director and subject Elad Cohen explores the meaning and experience of family. Growing up deaf and gay in a family of hearing people, Cohen never felt at home and always felt alone. That feeling of estrangement was exacerbated during his adolescence by the sudden death of his mother and the subsequent rift with his father as the family scattered in different directions. Cohen creates a sense of family with a small group of friends, including his best friend, Yaeli, a deaf woman. While he wants a child and a life partner, he fears that he won’t find the right man in the small deaf community in his “sweet little country.” Sharing a desire with Yaeli to be parents, the new “couple” decide to have a child in a shared parenting arrangement.

A short film about ties and gaps between a child and a parent. The author rediscovers letters her dad used to write her from prison. That love seems to be gone now. She decides to write back in hope to find the connection again. She puts in writing what could not be said: blaming him for family´s break-up but also trying to understand.