A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.
The adorable little VW helps its owners break up a counterfeiting ring in Mexico.
When rancher and single mother of two Maggie Gilkeson sees her teenage daughter, Lily, kidnapped by Apache rebels, she reluctantly accepts the help of her estranged father, Samuel, in tracking down the kidnappers. Along the way, the two must learn to reconcile the past and work together if they are going to have any hope of getting Lily back before she is taken over the border and forced to become a prostitute.
"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."
Sentinels of Silence is a 1971 short documentary film on ancient Mexican civilizations. The film was directed and written by Mexican filmmaker Robert Amram, and is notable for being the first and only short film to win two Academy Awards.
Research and dissemination documentary-film about contemporary art in which more than 30 staff members of museums and galleries, visual and sound artists, collectors, art critics and curators share their knowledge and give an account of their experiences and anecdotes.
This short film focuses on the mysterious and legendary Seri Indians who live in a utopian colony off the west coast of Mexico.
When brash Texas border officer Mike Norton wrongfully kills and buries the friend and ranch hand of Pete Perkins, the latter is reminded of a promise he made to bury his friend, Melquiades Estrada, in his Mexican home town. He kidnaps Norton and exhumes Estrada's corpse, and the odd caravan sets out on horseback for Mexico.
Two jobless Americans convince a prospector to travel to the mountains of Mexico with them in search of gold. But the hostile wilderness, local bandits, and greed all get in the way of their journey.
Oaxaca - Zwischen Rebellion und Utopie
Who’s up for a sensual, seductive trip with some of the hottest Latin men that have ever graced the Silver Screen? ‘Mexican Men’ collects five of the most accomplished gay shorts from one of the homes of groundbreaking queer cinema. From short encounters, emerging love stories and deeply touching connections, these short films are sure to stir the heart... and body. Includes: Atmosphere [Atmósfera] (2010); To Live [Vivir] (2003); Tremulous [Trémulo] (2015); Wandering Clouds [Nubes flotantes] (2014); Young Man on the Bar Masturbating with Rage and Nerve [Muchacho en la barra se masturba con rabia y osadía] (2015).
A man goes on a trip and then returns to his village pretending that everything went well for him.
Following a dream, Canadian paraglider pilot Benjamin Jordan travels to Malawi to teach children the joys of kite flying. There he meets Godfrey, a young man who has always dreamed of flying though has never had the means. The odd pair tour the country on bikes, building kites with youth while motivating them to follow their dreams. They are destined for Malawi's highest peak where, after weeks of ground training, the two will attempt to fly down and make Godfrey the first Malawian paraglider pilot.
Nacho Libre is loosely based on the story of Fray Tormenta ("Friar Storm"), aka Rev. Sergio Gutierrez Benitez, a real-life Mexican Catholic priest who had a 23-year career as a masked luchador. He competed in order to support the orphanage he directed.
In the Southern Mexican jungle, an adventurous archaeologist is accompanied by an equally daring female photographer in a search for a lost Toltec city. They engage a guide to lead them on their expedition, and soon find themselves in the jungle's depths, far from civilization. Soon both the guide and the archaeologist are vying for the affection of the photographer. They must all deal with enormous danger and sacrifice before their quest is complete.
A guy named Peter learns several facts about plastic's impact on the environment.
Pitch, the mean-spirited devil, is trying to ruin Christmas. Santa Claus teams up with Merlin the Magician and the children of the world in order to save the day!
On December 21, 2012 four strangers on a journey of faith are drawn to an ancient temple in the heart of Mexico. For the Mayans it is the last recorded day. For NASA scientists it is a cataclysmic polar shift. For the rest of us, it is Doomsday.
Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.
„The Frontier“ or „La Frontera“ is the undulating landscape of the Sonora Desert in Arizona, which once was a symbol of freedom on the horizon of the American West – and also a region plagued by recurrent territorial struggles. Currently, a high steel fence stretches over several miles strictly separating the USA and Mexico into two territories. Every year, the remains of hundreds of migrants are retrieved from the area. The tense situation in Arizona’s borderland has split the locals into two groups: one demanding a more technically advanced border control system, the other requesting more humanitarian help. Accompanying various locals, NGO workers and self-proclaimed border guards from the region, filmmaker Gudrun Gruber raises the question of whether the latest border control technology will finally bring peace to the area, or rather merely increase the number of deaths.