Het Groot Niet Te Vermijden: Take Ten

In order to fulfil her dream of becoming a musician, a cat from the countryside named Ocon must face the fears and anxieties of performing in front of the glamorous city animals.

Two computers exchange data all day long, until one of them has a quirky idea: it sends a joke! Is it a short circuit, a software bug? This anomaly gradually transforms their wired connection into a spiritual connection, creating a spark of humanity between the two robots, sweet and heady, which could potentially destroy their programming.

Save the World

Melissa and Olive, two spirited sisters with no filmmaking experience, embark on an ambitious project to document their parent's bizarre and hilarious journey through ‘parental puberty’. Armed with a camera and a sense of adventure, they create a chaotic documentary filled with comedic mishaps, unexpected insights, and a heartfelt exploration of family dynamics in the face of change.

Attractive Nadja, with her model-like looks, legions of fans and a wealthy family, enjoys the attention of her seemingly perfect life. But life is full of surprises, even in the glittering, plastic-fantastic land of Nadja.

When Cevahir crosses paths with his old flame Zeynep, she seeks his help in untangling an arranged marriage that spurs even more predicaments.

The first short story "Naked in the Thorns" tells the story of a man whose clothes were taken away by a dog during his bath in the river. In the second short story "Games of Love", a retired professor paints a biblical scene of Susan and the old man. In the last short story, "Fidelity", the dog Argos perishes while defending his beloved master.

Zane is a deep space scout exploring the unknown in his two-legged vehicle, the PROBOID. He’s utterly alone except for an emergency chat channel filled with viewers spamming his only lifeline with expired memes, emote spam, and shoutout requests. Will any of his fellow scouts find him?

Anna is a farmer with heart and soul. Until now, there has been no room for men in her life, but now it's high time. Her father Hans and mother Elisabeth want to retire and hand over the farm to her. But Anna can't manage the work alone, and she can't afford an employee. A husband is needed. He should be attractive, humorous, intelligent and imaginative as far as the erotic side is concerned. And above all: a farmer, organic of course! Internet dating doesn't prove to be very helpful in her search. On top of that, her parents want to set her up with her sandpit friend Ludwig.

Bici is 18 years old and lives in Liège, Belgium. Curvy and talented, she sings in a rock band whose guitarist, Vince, is her childhood friend. Bici has been secretly in love with him forever. When Anita enters the band's life and Vince's, Bici tries to get rid of the intruder. With all her might.

Fourteen-year-old Leo leaves a psychiatric hospital following a short stay. Orphaned at a young age, writing is his only form of escape and he dreams of one day meeting his hero, Claude Lelouch. His friend Nino, who grew up in the same care home, eagerly awaits his return. The pair are inseparable, like brothers. Back at the home, Leo tells Nino that he has finished writing his story. Nino disappears the following morning, as does the story. Nino leaves a note explaining that he has run away to find Claude Lelouch and give him the story. Throughout his journey, Nino sends Leo letters describing his adventures. But Leo starts to realize that maybe his friend has his own reasons for taking off...

A documentary about Squallor, Italy's first and most successful "ghost band" project, created by four big bosses of 70's-80's Italian music business.

A girl on the run, a villain in the making, a faux cowboy, and Claudia Cardinale as Claudia Cardinale starring in a post-modern homage to cinema.

This documentary explores the partnership between the prolific singer-songwriter and pioneering rock band — and their historic 1979 Genoa concert.

The tale of a quick-witted fox and her escape from confinement for a life in the forest.

Kidnap of Wong Chak Fai

Kent Nagano superbly masters the challenges presented by this score, shapes the dynamics with subtle intensity, and casts the score in a mellow glow. As Marfa, the spurned lover of Ivan Khovansky‘s son Andrei, Doris Soffel unfolds such a rich palette of sonorities, from the pathos of the lower ranges to shaded discant heights, that “one is tempted to speak of a Russian mezzo”. The final chorus, which Mussorgsky did not compose, is played in the orchestrally transparent version of Igor Stravinsky – the third great Russian composer who contributed to making “Khovanshchina“ a timeless, gripping stage work. With his stripped-down sets and historicising costumes, director Dmitri Tcherniakov, one of the new voices of contemporary Russian theatre, builds a bridge to the political present. A lesson in history and music!

At first glance, the title of Shostakovich’s opera seems to speak for itself: Katherina, neglected and unhappy in her marriage, commits the most heinous crime just like the Shakespearian Lady Macbeth. But Nikolai Leskov’s short novel, which portrays Katherina as a monster, was only the starting point for Shostakovich to elicit understanding for an oppressed woman whose pursuit for self-determination is suppressed by society. Through combining satiric, grotesque and tragic elements in his music, Shostakovich succeeds in striking the balance between repulsion at Katherina’s immoral acts and sympathy for her. Violence, eroticism and the paralysing boredom of Russian society in the 19th century are the founding elements of this composition. The choir and orchestra of the Maggio Musicale Fiorentino conducted by James Conlon accompany tremendous soloists such as Jeanne-Michèle Charbonnet, Vladimir Vaneev and Vsevolod Grivnov in the original language in this live recording.

On a quiet, tree-lined street, an old television set receives a single channel that repeats the same horror film over and over, freeing zombies from the grave to kill.