For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Now in his thirties, Antoine Doinel is a divorced proofreader in love with a record seller. Colette Tazzi, now a lawyer, buys his first published autobiography, leading them to a chance meeting.
Bruno pursues Fabrice, runs without calculation, to fly away with him, until the end.
A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.
Haunted by trauma and trapped in sex work, Light meets Shuo, an undercover cop who offers him shelter. But healing isn’t easy—can Light choose a new path?
After twenty years in prison, a man returns to his homeland to wait for death in peace. His world is completely changed when he accidentally meets a character from the magical world of nature.
After his death, a young man stuck in purgatory attempts to cope with the afterlife.
Nikita loves to listen to techno music and dreams to go to Berlin and visit the famous club “Berghain”. His mother Irena doesn’t know about his son’s dreams and soon enough their mutual expectations will clash.
Rufus is a child with an extraordinary obsession: a burning, inþamed desire for anything red. Driven by this impassioned, scarlet fixation, which he can neither control nor understand, he shifts through life in a whirlwind of redness, entirely in the hands of his bizarre compulsion.
Is a convent anyplace for a boy? Gabriël is a lad of about eight, probably a foundling, who lives in a convent, the only child among about 20 nuns. Except for Sylvia, a young nun, Gabriël doesn't get on well with others. He thinks of himself as an angel, impatient to grow wings and to fly, impatient with earth's rules. He's been collecting feathers from the many geese on the convent grounds. What happens next seems to horrify everyone except Sylvia, who may be in on Gabriël's secret.
An African mother will do just about anything to protect her child. Bilaly is a simple peasant who is blind. He wants to “know” a woman before he dies, but try as his mother might, she cannot find someone to oblige. She finally gets an idea – an idea that completely stuns the village.
Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.
In a French forest circa 1798, a child–who cannot walk, speak, read or write–is found. A doctor becomes interested in the case and patiently attempts to civilise the boy.
In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.
A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.
This short film tells the story of Dani, a young boy who shares a close friendship with his friend Jaime. Their relationship changes when Dani realizes he feels something more. Following these events, the lives of both experience an unexpected twist full of strong emotions.
On his 25th birthday, The Kid, an unpublished novelist, finds himself in a dark bar, drinking alone, and experiencing a quarter of a life crisis. He strikes up a conversation with The Bartender, an older veteran of the bar, who is the only person remaining after last call. Venting to The Bartender about his current existential crisis they both end up drinking together, but when The Bartender goes to make sure everything is cleaned up for the night, he returns with a .38 Special Snubnose Revolver, also known as a "Saturday Night Special", and informs The Kid that someone must have left it behind. The two speculate where the gun could have come from, all the while they continue to drink, which makes things quite chaotic once the Kid decides to pick up the gun.