The Final Journey of the Romanovs

St. Petersburg, Russia, December 30th, 1916. Grigori Rasputin is assassinated. The story of the humble peasant who became the most influential adviser to czarina Alexandra Feodorovna, wife of the last czar, Nicholas II Romanov.

2017 marks the centenary of one of the most significant events of the 20th century - the Russian Revolution. Using the private journals of Pierre Gilliard, tutor to the Romanov children, this film is an intimate and eye-opening account of the Russian Imperial family in those days of turmoil. How did they get through their days? How did they perceive their lives as their world crumbled around them?

Yekaterinburg, Russia, July 17th, 1917. Czar Nicholas II Romanov and his entire family are brutally murdered by the Bolsheviks. This tragic event puts an end to the long dynasty that had ruled the country with an iron hand since the coronation of Michael I Romanov in 1613.

Starting in 1881 this film shows the personal battle between Lenin's Ulyanov family and the royal Romanovs that eventually led to the Russian revolution.

Tsar Nicholas II, the inept last monarch of Russia, insensitive to the needs of his people, is overthrown and exiled to Siberia with his family.

Rasputin, a crazed and debauched monk wreaks havoc at the local inn one night, chopping off the hand of one of the drinkers. As the bitter locals plan their revenge, the evil Rasputin works his power over the beautiful women who serve at the Tsar's palace. Even the Tsarina herself is seduced by his evil ways and, as his influence begins to dominate government policy, there is only one course of action left... to destroy him before he destroys them all.

The story of corrupt, power-hungry, manipulative Grigori Rasputin's influence on members of the Russian Imperial family and others, and what resulted.

A new doctor from Moscow arrives at a provincial mental institution. His interest is the peculiarities of the psyche of a patient who believes that he is Yakov Yurovsky, the man who assassinated the last Russian tsar. In the course of their conversations it transpires that the patient is a kind of philosopher, not without a gift for suggestion. In a while the doctor himself falls under his patient’s influence: he tends to relive that fatal night of June 16-17, 1918 when, without any investigation or trial, Tsar Nicholas II, who had recently abdicated, was murdered, together with his wife, daughters and incurably ill heir. Soon the doctor realizes that the tragedy of the last Russian tsar is in part his own tragedy, too...

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

This film documents the efforts of a group of Canadians and Americans to save the whooping crane from extinction. They display great determination in their dealings with this independent, pre-Ice Age creature. The issues of wild animals imprinting on people and the preservation of wild animals in captivity are examined in this film. Produced in cooperation with the Canadian Wildlife Service and the United States Fish and Wildlife Service.

For a day we follow a group of children in a kindergarten through their eventful reality. Suddenly the children’s free play is obstructed by a series of tests, which become an encounter with the reality that soon awaits them.

On August 4th, 2020, the catastrophic explosion at the port of Beirut leaves a large part of the Lebanese capital in ruins. In the midst of the chaos, a troubled film crew face an overwhelming decision: to continue the production of their movie or abandon it? As they face the aftermath of the catastrophe, they are torn between their firm belief in the transformative power of cinema and a deep sense of cynicism about its ability to effect change in a nation plagued by economic turmoil and societal collapse. Dancing on the Edge of a Volcano chronicles their struggles and highlights the crew's resilience as they strive to find meaning and purpose in their work amidst the devastation.

At the peak of their success, the lead singer of ‘Black Country, New Road’, Isaac Wood, left the band. This concert film documents the group’s triumphant return at three consecutive shows in Bush Hall, performing new music centered around recovering from loss and their continuing friendship.

Long Way to the Top is a story about the trials and tribulations of working musicians and life on the road. From unexpected tour line-ups to the undying love of their fans. Featuring interviews with Grizfolk, Weezer, Def Leppard and more.

Country music has always been Black music. For Love & Country examines the genre's past through the lens of a new generation of Black artists claiming space in Nashville, and transforming country music in the process.

A sublime documentary on childhood and bereavement that’s one of several shorts the filmmaker completed while working in Algeria for Georges Derocles’s company Les Studios Africa, for whom he would shortly make his breakthrough feature The Olive Trees of Justice.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Teatro Brasileiro: Origem e Mudança