Uruguay, le pays de la simplicité

In 1983 a group of 154 children aged 3 and 17 years old traveled alone from Europe to Montevideo. They were children of political exiles from Uruguay, who were unable to come back to their own country; they sent their kids to know their relatives and home country. That human sign, charged with a political message, took part in children’s identity development. Nowadays, six of them still remember that day, when a crowd received them singing all together “your parents will come back”.

A documentary revolving around the 1972 crash of the plane carrying an Uruguayan rugby team; interviews with survivors and the families of victims.

A Media Agua is a documentary filmed in 16mm, made up of a series of short films that review the history of the last century through the eyes of an Anglo-Uruguayan family and their perception of Uruguayan culture, World War II and technological advances of the time. Based on found and salvaged film reels, the team attempts to piece together the history of this fragmented family and its subsequent three generations, with the goal of understanding their beliefs and secrets as part of the Secret Service in South America.

Ten years after winning a world title in bodybuilding in Russia and becoming a star of said discipline in Mexico, Antonio Osta (43) leads a life of austerity in the Uruguayan rural town where he grew up. He resides there with his son Juanjo (17), a sensitive teenager who keeps him company and confronts him openly. Suffering from acute kidney disease which keeps him from competing professionally, Antonio is stuck in limbo, halfway between his glorious past and the impossibility of being who he once was. However, he is unwilling to give up his lifestyle, even if it kills him. In an attempt to reinvent himself, and seeking a better future for his son, Antonio plans a comeback to the Mexico bodybuilding scene, where he may relive his glory days.

In 1986, the Uruguayan Parliament passed a law granting amnesty for all crimes and human rights violations committed by the military and police during the dictatorship (1973-85). This law of impunity prevented the clarification demanded by the relatives of those who had disappeared and been murdered by the former regime. A public initiative arose calling for a referendum in which the law be subject to the vote of the people. Unas preguntas uses U-matic footage, mostly of interviews recorded on the streets of Uruguay between 1987 and 1989, to present a time capsule of the period.

Tells the story of Gerardo Bleier after the pain caused by the loss of his father, Eduardo, detained and disappeared during the Uruguayan dictatorship (1973-1985). The documentary portrays the meaning of truth and the search for freedom since the discovery of Eduardo's remains in 2019.

A documentary on the life of Uruguayan politician and former guerrilla fighter José Mujica.

ONLY NOISE is a documentary that tries to rescue from oblivion a tale with Les Renards as protagonists, one of the many bands from the 60s that was a key witness and pioneer in the first big explosion of Uruguayan Rock. It might look like a tale from an ordinary band, but in 1968 this band managed to break a world record.

Armed based on photography, period films, archival materials and testimonies of survivors, family members and historians, the documentary accurately and exquisitely reconstructs the course of the “expropriating anarchists” in the Río de la Plata and specifically in Montevideo del First third of the 20th century.

The campaign of the Uruguayan rugby team, nicknamed "Los Teros", during the 2015 Rugby World Cup qualification, and the amateur character of its players that contrasts against the professionalism of their group rivals.

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

Documentary about Uruguayan Hardcore Punk band "Setiembreonce". Put together with archive material, old recordings and different interviews with key members of the Hardcore Punk community in Uruguay and surroundings areas. A testimony of a music genre based on its message, its DIY mentality and a clear conviction for collective work.

The Punta de Rieles prison was where most female political prisoners were incarcerated during the dictatorship in Uruguay. The way up to the building led through “the meadow” where there were animals grazing, and the prison itself was surrounded with flowers. The place seemed eminently liveable, almost comfortable, and at first sight there was no sign of the silent struggle going on behind those walls. This documentary is an attempt to reconstruct life at the prison through the testimony of some of the hundreds of women who were there and who resisted the military regime's attempts to grind them down and destroy them.

Documentary about the birth and development of candombe in Uruguay. It is built through testimonies, audiovisual files and animations. It also covers the actuality of the candombe on the shores of the Río de la Plata.

A day in the life of a lighthouse keeper on a remote cape off the Uruguayan coastline.

In 2004, after 174 years in which political power was always held by one or other of the parties on the right, a historic change at last became possible in Uruguay. This documentary was filmed in the days coming up to the election, and it shows how the common people saw their country. The main protagonist is the man in the street. With humour, with intense emotions, with a lot of dignity and a passion for politics, these Uruguayans show how proud they are to be playing a role in their country's history.

Biographical portrait of the labor movement and left wing movement in Uruguay, "Conversations with Turiansky" combines two stories. The first portrays the son of immigrants, the engineer passionate about the mystery of electricity, the man in love, the movie buff. The other places the protagonist in his time: union struggles, the advance of authoritarianism, prison and the challenges of the present. In both are present the lucidity, commitment, discreet tenderness and humor of Wladimir Turiansky.

Tiana, a teenage occult fanatic, finds a ring that lets her summon tiny demons she will use to enact her revenge against anyone who mocked her. The only one standing in her way is her shy sister, Micaela.

At 28, Santiago still lives with his mother and has no real job projects. In order to feel independent, he decides to move to his family's summer house in a seaside resort during the winter. His human ties in this deserted place will be reduced to his neighbor, a paranoid family man, and the local bike rider, an alcoholic man who carries a homemade nunchaku and claims his friendship.

In the near future where civil war is the order of the day and strange diseases are devastating, a boy lives alone in the house that his parents left him. Away from the surrounding chaos, he survives day by day from what the countryside gives him, until one day a strange girl interrupts her nighttime sleep, altering her daily life.