Space in the Brain

A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.

Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.

A short film which has its emphasis on back street walls with peeling posters and the constant pedestrian traffic in the foreground. It has a static camera positioned in front of the walls; experimental editing techniques, no dialogue-just background music, and quick edits of blackness throughout.

A collection of BBC archive material about painter Francis Bacon, including a previously unseen interview recorded in 1965.

Along with vegetable and sea life, the camera is but one element of a sensual ride along a coastal road and playground in this masterful short.

Jane Doe

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

A short video documentary on Larry Janiak's time as an instructor at the Institute of Design in Chicago, where he taught undergraduate and graduate students for 12 years. Aaron Siskind hired Larry in 1968 to start an experimental live action and animated film area at the school. A narrator introduces Larry's career and achievements at the school and guides viewers through the animation filmmaking area. The film primarily features footage of a beginning animation course taught by Larry.

Executed and printed with two hands, that is to say, made using all possible means of imprinting the right and arm freshly applied ink, sand paper, stamps, etc. Everything was done on non-emulsion clear leader.

In 2002, documentarian made his first "Art Safari" style film about the German photographer Andreas Gursky. It contains the ‘famous’ ‘Is it Gursky? in Reading’ ‘sketch’ and the European languages ‘sketch’. The documentary is the first art comedy documentary by Ben Lewis, featuring 20 years of gags about the art world stored up and released in this film.

A dark and visceral journey. A language that tears apart the morbid nature of the dead-old primal human eyes. No warning was given. No mercy was shown.

Engaging themes of love and betrayal, hope, belonging and place, Glad You’re Here documents my nineteen--year journey through building a family life, seeing it suffer the damage of mental illness, grief and separation, and then rebuilding with empathy. A story about an extreme moment of crisis has turned into a documentary that deals not just with the subjective but with the important issue of spousal abuse.

When the strongest earthquake in a century hit Mexico in 2017, everyone had eyes on the rescue of 12-year old Frida - until the story took a very strange twist.

Kumiko is now a second year and one of the senior players of the euphonium section. With new underclassmen joining the concert band, Kumiko will have to learn new things in order to deal with awkward and difficult underclassmen. She and third-year trumpeter Tomoe Kabe have been chosen to lead the new underclassmen members. Among the new members to Kumiko's bass section are euphonist Kanade Hisaishi, whose appearances are deceiving; tuba player Mirei Suzuki, who cannot adapt to her new environment; tuba player Satsuki Suzuki, who wants to get along with Mirei; and double bassist Motomu Tsukinaga, who cannot talk about himself. Between the Sunrise Festival, chair placement auditions, and the competition, a number of problems quickly begin to arise.

Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.

“I don’t believe in love because I’ve never seen it,” responds a young woman to an unseen interviewer in the first few minutes of the movie. This bleak portrait of loneliness and social exclusion is set on the edge of a desolate swamp where an aging clown and his daughter are struggling to survive. The location could be the end of the world, a place where hope has vanished along with a belief in the afterlife and the existence of God. The two unfortunates live together without the likelihood of change, as fear, aggression, and anger take hold of them – but they also experience sudden moments of tenderness.

During WWII, the Japanese army developed experimental balloons able to cross the Pacific Ocean and reach the West Coast of North America in 3-6 days. Armed with explosives, they were given the code name fu-go, or fusen bakudan (“fire balloons,” or balloon bombs) in an attempt to instill a culture of fear like that caused by the far more deadly American firebombing of Japanese cities. The U.S. responded by enacting a censorship campaign, requesting newspapers avoid reports of fu-go landings or sightings. Living near the remains of a fu-go launch site in Fukushima Prefecture, Takeuchi mimics their flight take-off using a drone camera, and, traveling to North America, follows their arrival across the shoreline and rural landscapes, using a bat’s echolocation as narrative device to place fu-go and Fukushima as echos across history.

Paying tribute to artist Noah Purifoy and his Outdoor Museum, Matthew’s film ‘A Desert Moment with Noah’ rapidly animates 78 still Super 8mm images like a slideshow gone haywire. Exploring the of elasticity of time, the film manipulates the essence of a moment as it periodically pauses to allow the viewer a space with various objects, surfaces, and textures within Purifoy’s Joshua Tree sculptural environment.

Found footage anti-war film comprising film documents of the Austro-Hungarian and Italian army on the Alpine front, and from first generation picture material by war-film pioneer Luca Comerio.

While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.