The Game
Eccomi ... Eccoti unfolds as a virtual road trip navigating between Italy and Lebanon. Conditioned to live in a long-distance relationship with his partner because of strict European visa regulations, the director patches together the shared moments in an attempt to create a possible day-to-day reality for their couple. With a lyrical, ambient soundscape set atop a dreamy, atmospheric visual style that oscillates between still photography and moving images, the film explores what it means to be gay in contemporary Beirut and existential discomfort that blocks one from reaching a sense of complete-ness. Does such in-completeness have to do, in particular, with being gay? Or is it related to a grander malaise endemic to the human condition?
A group of young UN soldiers in Lebanon enters service with pro-Israeli views and a naive outlook on war. They go through a radical change of heart as they witness and film the Qana massacre. They secure video evidence indicating that Israel deliberately bombed a UN camp killing 106 refugees.
Seven children from around the world follow Santa home on Christmas Eve and decide to surprise him with some help around the house while he sleeps.
The movie recalls children who suffered mental and physical harm both during the last century, particularly in religious orphanages, and during the time of early modernperiod witch-hunts. It shows that the mindsets and behavioural patterns of both time periods are more alike than one might think.
Tractor Ted takes us to see some amazing diggers and dumpers at work. The huge excavators are at work in the quarry, where we see them blasting rock and then down at the river clearing banks. Dave is working on his digger showing us different jobs he can use it for and the children have a tricky job trying to catch the lambs.
If Bugs Bunny were to direct his signature inquiry--"What's up, doc?"--toward the modern-day Warner Bros. creative team, he wouldn't be far off. For 1001 Rabbit Tales, they've doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here's the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids' book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam's pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who'd sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.
La Véritable Histoire du Père Noël
A first-hand account of the perilous journey made by a group of Syrian refugees. Traversing land and sea on an old fishing boat manned by smugglers, the nail-biting journey leads to Europe where the refugees disperse. Each must battle to stay sane and create an identity among the maze of regulations and refugee hostels. The Crossing shows us the lengths to which people go to find safety and forge their own destiny.
This short subject shows Lissa Bengston teaching a group of three- and four-year-olds how to swim in a pool. Miss Bengston, a member of the Royal Academy of Physical Education, Stockholm, Sweden, believes that at this age, children have no fear of the water and, therefore, can be taught to use their natural abilities to swim.
Rain or Shine takes the viewer on the comic journey of young Ella who’s keen to show off her swishy new sunglasses, only to be dogged by a persistent raincloud whenever she puts them on. The viewer has a direct impact on the pace of which the events unfold, depending on where their focus lies at various points throughout the film.
This short film offers a children's guide to anger management.
During morning roll call at school, Wataya gets more and more nervous as her turn approaches. The tension causes her to lose the ability to control her own body.
Between 1950 and 1958, John Marshall made four expeditions to film the Ju/'hoansi (a group of !Kung Bushmen) of the Nyae Nyae region of Namibia (then South West Africa). During this time, Marshall shot over 300,000 feet of 16mm film (157 hours). He later produced a total of 23 films exclusively from this footage. In this short film, children tempt fate by playing with scorpions.
In this educational film about personal hygiene, Harv and Marv are animated characters in the real world. When Marv says he wants to become human, Harv shows him that real people have to bathe, wash their hands and teeth, and mind their appearance.
As the forces of ISIS and Assad tear through villages and society in Syria and Northern Iraq, a group of brave and idealistic women are taking up arms against them—and winning inspiring victories. Members of “The Free Women’s Party” come from Paris, Turkish Kurdistan, and other parts of the world. Their dream: To create a Democratic Syria, and a society based on gender equality. Guns in hand, these women are carrying on a movement with roots that run 40 years deep in the Kurdish Workers’ Party (PKK) in Turkey. GIRL’S WAR honors the legacy of Sakine Cansiz, co-founder of the PKK who was assassinated in Paris in 2013, and reflects on the sacrifices made by all of the women in the movement, who have endured jail, rape, war, and persecution in their quest to liberate their lives and sisters from male dominance. With scenes of solidarity, strength, and love amongst these brave women soldiers, GIRL'S WAR is a surprising story of Middle Eastern feminism on the front lines.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
Short, evocative documentary on the education of blind and partially sighted children.
A unique interview with Tooba Gondal, the woman who groomed and lured scores of Western women to join ISIS. Using social media, she became a deadly matchmaker, recruiting a number of high-profile “jihadi brides” for ISIS militants in Syria: she allegedly helped organise the transporting of three British schoolgirls, including Shamima Begum, to Syria.
Això era casa meva