Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Stories of serious traffic accidents caused by texting and driving are told by the perpetrators and surviving victims.
A short film attributed to Jean-Luc Godard concerning the ZAD surrounding the proposed Aéroport du Grand Ouest, decrying our capitalist society.
A teenager finds her identity through the intimacy of the photo booth.
Recorded every day for a year at exactly the same place and same time, this experimental film-poem documents the desire to clutch and hold each moment.
Η αλήθεια για τα παιδιά της Ελλάδας
Common farm animals in the stable of Christ's birth begin to talk and communicate for the first time upon Mary and Joseph's arrival. They realize a miracle is about to take place, but lose their ability to speak following the birth of Christ as they rush to tell all about the Savior's birth.
In Presidio, Texas, it is customary to hear Norteña music, typically Mexican, in the bars of the city. John Ferguson, american, governs the 4,426 inhabitants of the small town, is the principal of the city high school. As mariachi, John and Mariachi Santa Cruz also play in nearby Ojinaga, Mexico, distant the Rio Grande river from Presidio. The need to understand the history that binds Mexico to the United States, during one of the periods where the thread that weaves them seems to have become tangled. Viva Presidio! tells the story of a man whose ethnicity represents 2% of the population who voted to elect him, of the affection for his city and of the walls and customs in a reality where, the real cultural accents,represent an element of union between two communities in conflict today.
The Disappearing Male is about one of the most important, and least publicized, issues facing the human species: the toxic threat to the male reproductive system. The last few decades have seen steady and dramatic increases in the incidence of boys and young men suffering from genital deformities, low sperm count, sperm abnormalities and testicular cancer. The Disappearing Male takes a close and disturbing look at what many doctors and researchers now suspect are responsible for many of these problems: a class of common chemicals that are ubiquitous in our world.
This documentary short is a visual portrait of “Prairie Sentinels,” the vertical grain elevators that once dotted the Canadian Prairies. Surveying an old diesel elevator’s day-to-day operations, this film is a simple, honest vignette on the distinctive wooden structures that would eventually become a symbol of the Prairie provinces.
Nostradamus writes a letter to his young son, and his prophecies are compared to events of the French Revolution.
After the death of her son Julia seemed to be frozen. I can not regain consciousness. But she believes in a new meeting with the one she lost.
A documentary short that gives you an exclusive look behind the groundbreaking original series, "Ms. Marvel", from its comic book origins to its development and production as Marvel Studios’ next hit series on Disney+. It features interviews with its award winning filmmaking team and the show’s captivating star, newcomer Iman Vellani.
A compilation reel of local movie theatre trailers for upcoming events, such as a “Bug-o-Rama” festival and a “Marathon of Fright.”
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A beautiful collection of pictures ties Frank Cancian, an elderly photographer and retired professor of anthropology, American with origin from Veneto, to the people of Lacedonia, a small town in southern Italy. Thanks to the rediscovery of the photos taken in 1957 by the young Cancian in that rural village where he had arrived almost by chance, the story resumes there where it was interrupted 60 years earlier. And the thread of memories ties back to people and places, bringing with itself some essential reflections on how photography can become an ethnographic look at small communities.
Tommy Davis asks dentist Dr. Hendricks about his older brother Jim, a star halfback who failed his Annapolis dental examination. The doctor offers good advice, the kind one should share with his friends. Tommy invites his whole gang to hear Dr. Hendricks explain the importance of dental health and how dental disease can be controlled. Dr. Hendricks tells a fascinating story. He talks about mouth hygiene, dental care and the role foods play in protecting dental health. Tommy and his friends learn the facts, and the care of their teeth and health takes on a new, highly important light. As for Jim, he profits, too. The story ends on the note that dental health is essential in health generally, appearance and personality.
A box of stunning family photos awakens grief and lost memories as they are viewed for the first time on camera.
This experimental animation approaches Hong Kong’s built environment from the conceptual perspective of celluloid film, by applying the technique of film animation to the photographic image. The city’s signature architecture of horizon-eclipsing housing estates is reimagined as parallel rows of film strips: Serial Parallels.