9to5: The Story of a Movement

On October 23, 1998, a sniper carrying a high-powered rifle assassinated Dr. Barnett Slepian in his home, altering forever a family, a community, and the bounds of our imaginings about anti-abortion violence. This horrific act punctuated a decade of escalating harassment and violence against women’s heath care providers – a decade marred by murders, assaults, death threats, stalking, clinic blockades, arsons, bombings, and chemical attacks. How do these events affect the personal and professional lives of abortion providers? What motivates them to continue their work in the face of such terrorism?

Embargo sur l'Iran

The film shines a light onto federal chancellor Angela Merkel and her now ending 16-year-long tenure. An era, not an episode. And a vagarious relationship history between the chancellor and the Germans. Who has changed whom here?

Ten notebooks depict an immersion in French neo-fascist circles during the 2010s.

A documentary on the rise and fall of Project Cybersyn, an attempt at a computer-managed centralized economy undertaken in Chile during the presidency of Salvador Allende.

On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there.

Diana, Ilana, Rona, Shelly, Rucha and Liat openly speak about their life in prostitution: from the initial lure, through learning the rules, to survival strategies. They present stories of independence, resourcefulness, pain and trauma, expressing an extreme feminine and human experience. Michaela (pseudonym) – a young woman currently engaged in prostitution, sounds off on the struggle to survive, turning her cellphone camera into a weapon. The women challenge what is expected of them – to be ashamed and conceal themselves.

This documentary tells of the extraordinary rise of Jair Bolsonaro, from relative obscurity to the ultimate seat of South American power. Told through intimate interviews with some of those closest to him including his eldest son Flávio, former government ministers, as well as his opponents, explore Bolsonaro’s brilliant yet ruthless journey to the presidency, with high-stakes drama, guns and God.

The First Year tells the inside story of Jamie Driscoll’s first 12 months as the new North of Tyne Mayor.

In this collection of interviews with some of America's most conservative black pundits, white director Justin Malone presents his vision of being black in America. Featuring politicians, lobbyists, ministers, some unqualified random people (even an alleged sex pest), the film explores their choice to navigate the world as one of America's most self-resenting identities: the American Black Conservative. In this propaganda film from Director Justin Malone and Executive Producer Larry Elder, Uncle Tom evangelizes victim-blaming, selfishness, and their lack of empathy. Uncle Tom shows us a biased perspective of American History from this political ”movement.”

This documentary examines the media's coverage of the Canadian federal election of May 1979. Filmed over a 3-week period, it takes a fascinating look at journalists in action and the politicians who attempt to manipulate the media.

The Punta de Rieles prison was where most female political prisoners were incarcerated during the dictatorship in Uruguay. The way up to the building led through “the meadow” where there were animals grazing, and the prison itself was surrounded with flowers. The place seemed eminently liveable, almost comfortable, and at first sight there was no sign of the silent struggle going on behind those walls. This documentary is an attempt to reconstruct life at the prison through the testimony of some of the hundreds of women who were there and who resisted the military regime's attempts to grind them down and destroy them.

At underground film of the 1st Popular Festival of Catalan Poetry filmed in the Proce Theater in Barcelona on May 25, 1970, in solidarity with political prisoners. The participating poets were: Agustí Bartra, Joan Oliver (Pere IV), Salvador Espriu, Joan Brossa, Francesc Vallverdú and Gabriel Ferrater.

After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.

Prominent Columbia University English and Comparative Literature professor Edward Said was well known in the United States for his tireless efforts to convey the plight of the Palestinian people, and in this film shot less than a year before his death resulting from incurable leukemia, the author of such books as {-Orientalism}, {-Culture and Imperialism}, and {-Power, Politics, and Culture} discusses with filmmakers his illness, his life, his education, and the continuing turmoil in Palestine. Diagnosed with the disease in 1991, Said struggled with his leukemia throughout the 1990s before refraining from interviews due to his increasingly fragile physical state. This interview was the one sole exception to his staunch "no interview" policy, and provides fascinating insight into the mind of the man who became Western society's most prominent spokesman for the Palestinian cause.

Malvinas: Stories of Betrayals

The film deals with the process of globalization based on the thought of geographer Milton Santos, who through his ideas and practices, inspires the debate about Brazilian society and the construction of a new world. Santos discusses his views on the importance of respecting difference and his belief that an alternative globalisation model could wholly enfranchise all citizens of the world. An illustrious presence in 20th century social sciences, the man dubbed as ‘geography’s philosopher’ eloquently elucidates a developing world perspective on the global age.

On November 3, 1979, members of the Communist Workers Party were holding a Death to the Klan rally in Greensboro, North Carolina. Suddenly a caravan rounded the corner, scattering the protesters. Klansmen and Nazis emerged from the cars, unloaded an arsenal of guns and began firing. Five people were killed in what became known as the Greensboro Massacre. Greensboro: Closer to the Truth reconnects 25 years later with the players in this tragedy—widowed and wounded survivors, along with their attackers—and chronicles how their lives have evolved in the long aftermath of the killings. All converge when the first Truth and Reconciliation Commission ever held in the United States is convened in Greensboro from 2004-2006 to investigate the Massacre. As the Commission struggles to uncover what actually happened and why, the participants confront the truth of their past, and struggle with the possibility of hope and redemption.

Documentary of the U.S. Senator Joseph McCarthy, who rose to prominence in the early 1950s by trumpeting allegations of a vast conspiracy by alleged Communist agents whom he claimed had infiltrated the U.S. government, media, film industry, labor unions and other organizations. (IMDb)

A woman asks "what's the meaning of democracy?" as she looks back over the politics of Kenya from the 1960s to the 2007 election.