Mexico Mobile Cinema

Máquina 30-30

In buildings where foreign workers lived in Germany, there were strict rules of conduct, defined by the house rules and supervised by the building superintendents. Many rights regarding the freedom of movement, communication and behavior were abused. Interviews with the tenants and with the "orderlies" which point out absurd situations and clashes caused by these restrictions.

Diana Mariscal reached a moment of fame in the sixties, when at just 18 years of age she was the lead actress of the movie Fando and Lis by Alejandro Jodorowsky. The moment seemed to trigger a promising career, but her public image faded little by little until disappearing. Forty years later the traces of her existence have not been entirely erased.

The history of the Teatro Amazonas in Manaus, an opera house located in the middle of the Amazon rainforest, whose construction, between 1884 and 1896, depended on the labor exploitation of the local indigenous populations, provides an insight into the cultural, social and political situation in Brazil.

The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.

Hermanovce, Slovak Republic. A Romani village located deep down in the valley, with old shacks and newer concrete ones. Four Romani women tell us about their day-to-day life through ancient habits, along with words that travel near borders with different worlds...

Amidst the paralysis of downtown São Paulo, the film follows the journey of 5 characters to the same place - a common meeting point. The voices and experiences of each reveal something greater: a new perspective on life, movement and art.

Honduran immigrants living in Mexico, teenage siblings Rocío and Ale must take over care of their two younger siblings after their mother is sentenced to prison on dubious grounds. Tensions grow between the pair as the decision must be made on whether to stay together in Mexico or split the family up to cross into the US to work.

'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.

Since the invention of the automobile, women have distinguished themselves by their daring: the history of women in motor sport.

Suicide is one of the world's leading causes of death, with almost 800,000 people taking their own lives every year, not counting those who go unrecorded. What drives people to take their own lives, and how can they be prevented from doing so? This documentary attempts to provide some answers.

Luis Barragán (1902- 1988) is considered to be one of the greatest contemporary architects and one of the principal figures of twentieth-century international architecture. Since 1980, when he was granted the Pritzker Prize - the "Nobel Prize" of architecture - the poetry of his architectural language garnered vast international attention. This genius of architecture and design has forged an original style that is unmistakably Mexican and yet universal at the same time.

Have you ever been to the bullfights in Tijuana? Larry Wessel's TAUROBOLIUM is not only cinema verite at it's best, Larry Wessel's TAUROBOLIUM is the best documentary on bullfighting ever made!

Mais que fait la police au cinéma ?

For four years (1977-1981) Esaias Baitel documented a violent Parisian neo-Nazi gang. Having gained their trust, he was able to get close to them. Living among the gang members, he witnessed horrific events, and while hiding his real identity, he photographed a one-of-a-kind collection of gripping stills. Over thirty years have passed. Esaias Baitel has laid his camera down. He returns to the dark nights he spent in the City of Lights, the city where he lived a double life, going back and forth from the gang to the young family he had just started.

Pato, is a woman who must face her way, while struggling with the memory of a miscarriage. Lupita is a teenager looking for her place in the world.

Every year, thousands of German citizens travel to India, hoping to have a spiritual awakening of their own. In turn, they end up taking bits and pieces of Indian culture back home with them, creating a distorted version of Indian religion that’s practiced widely across Europe. The number of yoga institutes, ashrams, and Sanskrit institutes in Germany indicates that younger generations are far from giving up on this trend. Some are so enamored by this version of Indian culture that they travel thousands of kilometres to meet their spiritual advisors in tents, attend yoga sessions at 5 in the morning, and, in some cases, even adopt Indian names and clothes to try and connect more with this Eastern way of living. But exactly how prevalent is this trend?

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Books, apps, coaching sessions: Today, happiness is everywhere. We might think that there is nothing wrong with this common-sense concern. But it’s actually the opposite of social reality. So what lies behind this contemporary obsession with happiness and the billions of euros generated by its industry? Philosophers, sociologists, economists and psychiatrists including Christophe André, Éva Illouz, Martin Seligman and Julia De Funès, confront their point of view and decipher one of the most captivating and worrying phenomena of this early century.

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