The Two Johns

Prohibition has just gone into effect, and Judge Rummy's wife eagerly throws away all of the Judge's liquor. She also plans to have a temperance lecturer use him as an example of the evils of drink. While waiting for the lecturer, Judge Rummy notices that Silk Hat Harry's Soda Fountain is remarkably popular, so he stops in to see what it's all about. He finds out that Harry has developed a substitute for alcoholic drinks, and that Harry's substitute can have quite an effect on those who drink it.

The homeless Polycarpe steals a rifle from some careless society sportsmen and goes on a mindless shooting spree. (MoMA)

A mischievous child feeds his father a laxative, leading to disruptive bouts of intestinal disorder—and an unexpected reward. (MoMA)

Artheme takes his elderly uncle for a walk in his wheelchair, but abandons the invalid in the woods overnight when he spots a pretty girl. (MoMA)

A jolly housekeeper brings new meaning to the notion of “home entertainment” with a handsome new portable phonograph that causes people, furniture, and buildings to rock and roll through the magic of stop-motion animation. (MoMA)

In a scheme that is all the more convincing on silent film, Polydor attempts to fool a high-society mob with a no-talent singer who lip-synchs recordings from a hidden Gramophone. (MoMA)

Intelligent monkeys, dogs, and ducks enact a spoof of boxing dramas. (MoMA)

Rampaging lions are on the loose in a hunting lodge. Approximately, only eight minutes of the short survives.

Singer Pik Nik tests the power of song with an earth-shaking voice that causes people to pass out, walls to collapse, cars to go backwards—and eventually lands him in jail. (MoMA)

John and Flora meet at a ball, but neither can do these modern dances, so they sit out… and run into each other later at a dance studio. Bunny exudes his usual Pickwickian charm. Miss Finch gets involved in a nice bit of physical comedy when her gawkiness makes the dance lesson less than successful.

Lend Me Your Wife

Hughie Mack, Eddie Dunn, and Frank Kingsley secretly leave their homes to enjoy a night out without their wives' knowledge. The wives find out about their husbands' escapade and decide to act. The wives employ a female detective to "vamp" the husbands, hoping to gather grounds for divorce. The rest of the short film details the ensuing comedic situations as the detective attempts to ensnare the men and they try to avoid getting caught.

Snub Pollard and Marie Mosquini are to be married, with Ernie Morrison as their best man. It's the usual gag-filled Pollard one-reeler, with William Gillespie pointing out that if she wants to get married, he has a marriage license too.

The story involves various misunderstandings and entanglements that occur between two married couples, the Browns (Glenn Tryon & Vivien Oakland) and the Dazzles (Tyler Brooke & Anita Garvin). The two couples have apartments across the hall from one another, and all four plan to attend a costume ball together. But after each husband expresses unhappiness with his wife's costume the women angrily refuse to go to the party. The two husbands decide to go "stag" and pick up dates, but when Mrs. Brown changes her mind about attending, and Mr. Dazzle and Mr. Brown switch costumes, mix-ups result.

While building an irrigation system for a Southwestern desert community, an engineer vies with a local cowboy for the affections of a rancher's daughter.

Two wanderers, a young man and a young woman, meet in the desert and decide to travel on together. The two travellers walk and hitch-hike their way down the road to their destination, the beach, becoming friends and lovers.

Mitsuo the Counselor's son marries writer Miyoko, however a tender romance blossoms between Miyoko and Mitsuo's sister Kaoru. When the family falls to bankruptcy, heartache ensues; Miyoko's illness worsens and she is sent to a sanatorium, separating the lovers. Based on a story from Tales of Flowers by Nobuko Yoshiya

An abused young woman finds safety and love in the arms of a famous novelist.

The last remaining production of Le Prince's LPCC Type-16 (16-lens camera) is part of a gelatine film shot in 32 images/second, and pictures a man walking around a corner. Le Prince, who was in Leeds (UK) at that time, sent these images to his wife in New York City in a letter dated 18 August 1887.

A young, dark-haired woman performs a dance inspired by George du Maurier's character Trilby, in an early modern dance style reminiscent of Isadora Duncan. She dances barefoot without stockings and is dressed in a long, flowing gown bound across the bosom in Grecian style, with inside fringe and a draped cape hooked to her wrist. She also wears what appears to be a garland headpiece. Holding her gown with one hand throughout, the dancer performs a series of kicks and turns with leg kicks front and back, rocking, and round de jambe.