Coup d’etat Math

A strange and mischievous documentary on an archeological site in the Qaytarieh hills in Tehran. This short narrates the story of the dead people who wished never to be found.

Hopeful job candidate Buck Boom is dynamic, forceful, confident and creative. But can he convince Mr. Mudgin, the personnel manager, to hire him? You see, Boom is an animated character in a live-action world and Mudgin is not used to dealing with someone who is different.

A matchbox collection unites a lonely woman and her cat.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A 10-year-old boy and his father support themselves by pulling a cart through Bombay's chaotic traffic. One day when they visit the doctor, they are told that they should change jobs. A visual and sound intensive documentary about a nightmarish traffic situation beyond all control.

Repainting Cuba takes a critical look at communist Cuba, where both the facades and the aging regime were given a coating of colorful paint in connection with the 50 year anniversary of the revolution. Two young Cubans under house arrest talk about being imprisoned for dealing with foreign tourists in a society where gossip and backstabbing is endemic, and where the heavy varnish can’t conceal the cracks.

In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.

Keeper of the Mountains is a portrait of Elizabeth Hawley and her unlikely key role in the Golden Age of Himalayan mountaineering, her defiance of the traditional gender roles of her day and her decision to settle alone in Kathmandu in 1960, where she has famously lived life on her own terms ever since. Hawley, 91 and a former journalist, maintains the world's largest and most treasured archive of Himalayan mountaineering expeditions and her work is trusted by news organizations and publications around the globe. All this despite never having climbed a mountain herself.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

In a bland, utilitarian world of order, one worker finds his inner jazz

A perspective-shifting tale of how a trip to an art gallery leads to an out-of-this-world experience.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Crawdad Eustace is fed-up with being treated as food and goes with possum pal Mordechai on a cross-country trip to New Orleans.

Three archetypal woodland spirits explore the conflicting human drives of creativity, possessiveness and our desire for status.

Ein Tag in Berlin

Has feeling got a physical representation? This video is the story of a feeling represented by a warm vibration spreading all over the body.

Short news featurette produced by Pathe-RKO after the Russians launched the first orbiting satellite, Sputnik. It is a patriotic 'call to arms' from the threat posed by this and the need for Americans to spend more on education in general and a college education in particular. A visit to the University of Buffalo highlights its science programs and the need for more graduates from all technical disciplines if America is to rise to the challenge. It bemoans the fact the PhDs earn less than a mechanic and the need to re-order priorities.

A museum guard is doing his night patrol when a tiny nun breaks into the museum and starts censoring nude art.

Neighborhood cats come to the tiny Ko-Ko Theatre to watch Ko-Ko and Fitz stage a variety of entertaining acts, from acrobatics to high-diving to statuelike tableaux vivants.

Arriving at their new house, Alfie's family have very different ideas about their new home. 'Ghostboy' teaches the very important lesson that some things aren't always what they seem.