Fragmentum Cinema: Sueños

SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

While Trevor and Sam are smoking pot, Trevor’s mom comes home. When she finds out, Trevor reveals his father’s adulterous ways and destroys his family.

A collection of footage and interviews with strange people and their exploration into the unusual and extreme side of body modification.

An experimental sports film made partly during the Scandinavian Open Championships in Halmstad in 1970, partly during the Chinese players' exhibition tour in Denmark immediately after the SOC. First of all, it is a film about their style, about the artistic culmination that is ping-pong at its best, it records China's comeback into the international sports world.

Weeping Rocks follows Art, an entomologist nearing the end of his life, who has spent over five decades walking the same ten trails, meticulously counting every butterfly he sees and witnessing the slow erosion of the world. His eccentric, patient research has uncovered patterns of decline that went unnoticed for years, revealing the deep environmental impact of detrimental human activities. As time reshapes the landscape and species fade, Art’s journey becomes a meditation on mortality, change, and the beauty of what remains.

Victor Fleming’s 1939 film The Wizard of Oz is one of David Lynch’s most enduring obsessions. This documentary goes over the rainbow to explore this Technicolor through-line in Lynch’s work.

Hotel Armada is a curated portrait of dance and expression showcasing talents in the world of contemporary, vogue, and ballet. It is an integration of time, space, movement and sounds highlighting each performer's rawness in their power and beauty.

A personal and subjective video essay series on the Korean cinema, consisting of 9 episodes. Its episodes include fragments of memory about Korean films and their ‘field’, actual moments of what is happening here and now, and images excerpted from Korean films. [Ep 1] My Chungmuro (2002) [Ep 2] For March of Fools (2003) [Ep 3] Smoking Women (2003) [Ep 4] Kino 99 (2003) [Ep 5] Song of Keumsoon (2004) [Ep 6] The Creative Restoration of ‘An Empty Dream’ (2005) [Ep 7] Reflection on Kim Gu (2005) [Ep 8] Garibong, Again (2006) [Ep 9] A Short Film about Pre-1945 Korean Cinema (2006)

An observational film that using the fragmented format of a newscast program proposes a cinematic glance to the same reality depicted daily by the media.

A 25-minute visual essay by Kent Jones about Jean-Luc Godard and his film 'Weekend'.

Ante Meridiem is a sensory journey through the first hours of dawn. Kind but vehement, he explores the dichotomy between silence and bustle, patience and haste, taking both to their ultimate consequences.

This experimental video breaks the many silences surrounding lesbians and AIDS. Interweaving the voices of two friends, Internal Combustion reflects on the often unspoken tensions within this epidemic of survival and power and mourning and loss .

Alex and José, is a 16mm single channel projection that explores gender, movement and form.

A video reconstruction of the 1977 Wooster Group production Rumstick Road, an experimental theater performance created by Spalding Gray and Elizabeth LeCompte after the suicide of Gray's mother. Archival recordings are combined with photographs, slides, and other materials to recreate the original production.

This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."

Dialogue-free short detailing the daily tasks of a man and his wife.

Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.

Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.

An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed ‘sun-scraping structure’ through the ritualized actions of the Red and the Blue Gods.

A 6-year-old Tibetan boy leaves his family and flees to a refugee camp in northern India.