Two councils with two different approaches to LGBT rights.
Gay men discuss sexuality, masculinity and relationships in a documentary filmed just before the outbreak of AIDS.
Le Diable de la République : 40 ans de Front national
Fifty years ago, on Sunday, 2 March 1969, Concorde flew for the first time. Starting from this inaugural flight, the film goes back in time to the origin of the conception of Concorde.
A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.
Bokassa Ier, empereur de Françafrique
Since they were children, every summer they used to participate together in the traditional carnivals of their hometown. This magical celebration, transform men of the community into dionysiac figures with makeup, coloured costumes, glitter and feathers. Alcohol, friendship and parties out of control become the limelight. Boundaries get blurred with the heat of the sun at the edge of the imposing Paraná River.
The early 70s is a golden epoch of our popular music. Hundreds of songs of exquisite beauty. Groundbreaking sound. Futuristic suits. How and whence could all of this emerge in a Soviet socialist republic? How did a brand new music scene, original in sound and philosophy in every way, and at the same time absolutely in sync with global music trends come forth? They weren't that fond of the Soviet label «VIA». And since neither of us is fond of this acronym, let us rechristen this music.
Paco and Manolo are two Catalan photographers from the outskirts of Barcelona who have been working together for thirty years as if they were a single person, capturing their images in Kink magazine, a very personal photography fanzine with a homoerotic aesthetic of Mediterranean essence.
Two queer Brazilians go skinny dipping in a lake where they talk about love, sex, colonialism and migration, on a pandemic summer afternoon in Berlin.
When his older boyfriend loses interest in him, the filmmaker relocates to Chicago and uses dating apps to cast new lovers in an amorphous project that his mother hates.
Feeling unfair about the power's portrayal of all its opponents, at the dawn of the '68 protests a young man decided to become a photographer to set things right. "Taking a good picture is a great act of faith". Tano D'Amico thus began a journey that would lead him to be at the forefront of the social battles of the 1970s: the birth of new movements, "the appearance on the threshold of history of a people who had never entered history", the hopes, illusions and betrayals. Tano still continues to photograph workers, the homeless, migrants, the last people and all those who take protest to the streets.
At night, a group of men gather on the stadium of an elite school they once attended. Some of them are the big winners in this new society. Colonists on their own land, they look away so as not to see the gangrene that is growing there.
Poland, 1970. When popular protests erupt in the streets due to rising prices, the communist government organizes a crisis team. Soon after, the police use their truncheons and then their firearms. The story of a rebellion from the point of view of the oppressors.
The story of a LGBTQIA+ child told through old images from VHS tapes. The videos were recorded by Vicente's father between 1987 and 1993.
The amazing story of the animograph, a machine created in France in the sixties by the cartoonist and self-taught inventor Jean Dejoux (1922-2015), whose creation was intended to revolutionize the animation industry.
A history of the Spanish Transition told in first person by the main protagonists: on the one hand, the politicians, idealistic or merely opportunistic, who brought it to a successful conclusion in the tribunes and offices; on the other hand, the citizens who, in the streets, supported it sincerely or fought it with ferocity.
One teacher and a handful of students, who are pariahs in more traditional schools because of the sexual preferences, struggle with all of the angst and troubles of high school kids in additions to the problems novel to their situation.
Les Pieds dans la mayonnaise : Les Irrévérencieux des années 70
A recording of a play about the intangible impacts AIDS has on a community. This is a moving, beautifully photographed combination of theater and documentary that captures the incredible excitement of live theater and intensifies the power of the play's message.