Known for her intimate films, director Kim O’Bomsawin (Call Me Human) invites viewers into the lives of Indigenous youth in this absorbing new documentary. Shot over six years, the film brings us the moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: Atikamekw, Eeyou Cree, and Innu. In following these young people through the formative years of their childhood and right through their high school years, we witness their daily lives, their ideas, and aspirations for themselves and their communities, as well as some of the challenges they face.
A compelling study of the Hopi that captures their deep spirituality and reveals their integration of art and daily life. Amidst beautiful images of Hopi land and life, a variety of Hopi — a farmer, a religious elder, a grandmother, a painter, a potter, and a weaver — speak about the preservation of the Hopi way. Their philosophy of living in balance and harmony with nature is a model to the Western world of an environmental ethic in action.
A few years ago the indigenous musician Delfín Quishpe uploaded a video clip on YouTube of his song Torres Gemelas without imagining the impact it would have. For some, the video was strange and in bad taste, however his charisma and his lyrics made him a celebrity. After ten years, Delfín still has not overcome the hangover of fame and now he struggles not to turn off the magic of his music, in a world of ephemeral stars in the digital age.
A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.
The documentary recreates the facts in the life of the Yukpa Chief, Sabino Romero, an indigenous fighter killed on March 3, 2013, in the Chaktapa community of the Sierra de Perija in Zulia state, Venezuela. The film reflects the infinite struggle of Sabino and his people, accompanied by the social groups, in this story of truly libertarian images made with blood and fire, revealing the skein of interests that forged and carried out Sabino's murder, and the attitude Inhuman and murderous of those who made it another victim of history.
The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.
A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.
Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.
Documents the conflicts and tensions that arise between highland migrants and Mosetenes, members of an indigenous community in the Bolivian Amazon. It focuses particularly on a system of debt peonage known locally as ‘habilito’. This system is used throughout the Bolivian lowlands, and much of the rest of the Amazon basin, to secure labor in remote areas.
From a historic genocide trial to the overthrow of a president, the sweeping story of mounting resistance played out in Guatemala’s recent history is told through the actions and perspectives of the majority indigenous Mayan population, who now stand poised to reimagine their society.
In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.
This Peabody Award-winning documentary from New Mexico PBS looks at the European arrival in the Americas from the perspective of the Pueblo Peoples.
In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Alanis Obomsawin casts her nets into history to provide a context for the events on Miramichi Bay.
Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.
Acclaimed Finnish director Rauni Mollberg made several scandalous yet widely appreciated films. Former co-worker Veikko Aaltonen’s eye-opening documentary The Dinosaur looks at the relentless, often disturbing directing techniques behind Mollberg’s art and success.
A personal, scientific, mystical exploration of Amazonian curanderismo, focus on Ayahuasca and Master Plants, their healing and visionary properties and risks, along with the Shipibo people and their songs.
This feature-length documentary chronicles the Sundance ceremony brought to Eastern Canada by William Nevin of the Elsipogtog First Nation of the Mi'kmaq. Nevin learned from Elder Keith Chiefmoon of the Blackfoot Confederacy in Alberta. Under the July sky, participants in the Sundance ceremony go four days without food or water. Then they will pierce the flesh of their chests in an offering to the Creator. This event marks a transmission of culture and a link to the warrior traditions of the past.
During the Continuation War, there were dozens of POW camps in Finland. About the third of 70,000 prisoners died during the first year of war. Most of the archives of the camps were destroyed and the majority of the war crimes were never revealed.
The documentary Merikotkan paluu (Return of the white-tailed eagle), tells the tale of the past and the present of the white-tailed eagle. The second protagonist of the film is the human - the animal that can be blamed for the eagles’ distress but also credited for its rescue.
For almost a century, the Coast Salish knitters of southern Vancouver Island have produced Cowichan sweaters from handspun wool. These distinctive sweaters are known and loved around the world, but the Indigenous women who make them remain largely invisible.