Waiting

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

Jours de mes années

A magician encounters the void that separates the human mind from divine consciousness and in turn faces the mad god.

An Anders Weberg Short Film. Part of his Peer to Peer project

A lonesome man at the threshold of death finds himself trapped in a place called the Endless.

In a world where everything is forbidden except what is obligatory, a man recalls what led him to work in a very strange fast food restaurant.

A movie that starts out with the "Man in the Mirror" music video, it then changes to a montage of video clips of Michael's career. Next comes a parody of his Bad video by children, and then Michael is chased by fans in a fantasy sequence. 2 more videos are shown, and then a movie in which Michael plays a hero with magical powers. In it he is chased by drug dealer Mr. Big and saves three children. Videos included in the movie are "Smooth Criminal" and "Come Together".

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...

CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore ...

A day in the life of Swedish poet Karl Holmqvist.

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

A poetic connection between colors, forms, and movement. Images that feature water, trees, landscapes, and a love scene where everything transforms and repeats itself, and no picture is identical to another one. 


A celebration of the male form. A series of observations of men, filmed in beautiful black and white, with an almost total absence of the spoken word.

The man needs the trip. The job impedes him to do so. Then the man stuck to his chair! Loosely based on a short short story named "A Man Called Desk" from the book "Password Incorrect" written by Nick Name

A gloomy tale or a completely innocent family picnic on the open air ...

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

Kinkón (1971), a silent adaptation of Merian C. Cooper and Ernest B. Schoedsack’s 1933 classic, King Kong. Zulueta re-filmed a television broadcast of the original, and through creative subtraction and manipulation of camera speed, condensed the original’s feature length to an intensified seven minutes. The cathode-ray flicker and flattening that results from the re-filming defamiliarises the original, but its classical continuity mode of address continues to operate on the viewer, and the increase in velocity makes mesmerisingly urgent the dramatic plot of the original. —Senses of Cinema

Four high school friends hatch a plan for a farcical heist that sends them spiraling into a series of surreal events littered with clowns, fast food, and ‘rakenrol’, in an even more absurd nation of squalor and entertainment.

Ema Nudar Umanu is the story of the dream of a woman who has died told to a man born from a duck's egg in a jungle far from anything. It is the story of a couple forced together, coming to realise that what they each wish for is to be one another. It is a story about the point at which life is death, love is loneliness, man is woman and dream is reality. Five weeks from initial concept to shot and made on the barest of budgets, the film is an unprecedented undertaking that brings to life a dream from beyond the grave. Ema Nudar Umanu is a romance of liberty, draped in tragedy, comic and absurd.