Part of the larger filmic Four Journeys Into Mystic Time, in this work director Shirley Clarke makes use of a dancer’s body not only as the primary performer, but also as a canvas on which to paint projected images. Further enhanced by editing and effective use of shadows, the film is a transformative experience.
An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.
A baby, John, who was abandoned in the church with a horse-headed koto on his side. His grandfather was once a Morin Khuur player and died in the atomic bombing of Nagasaki. The brilliantly colored images have an avant-garde charm while hiding the sadness of the war, and will grab the viewer's heart.
When I wake will I be someone else?
"Le Défilé" is a short film of Regine Chopinot & Jean-Paul Gaultier's collaborations, from a retrospective exhibit by the same name.
A parable of fire and grace, hand-scratched on 16mm, frame-by-frame.
In a series of long held shots, men are observed performing simple tasks in real time, while on the soundtrack we hear excerpts from opera.
A lonely spinster's failed attempt at arranging flowers summons an ominous shadowy figure who sends her into a psychedelic netherworld to confront her own mediocrity.
An abandoned seaside resort. The shooting for a fantasy film about the end of an era wraps up. Two women, both members of the film crew, one an actrice, the other a director, Apocalypse and Joy, are on the verge of concluding their love affair.
A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.
In a city inhabited by drawn beings, an indigenous boy witnesses a holographic appearance. It is the arrival of an entity of unknown materiality. With a mysterious presence and exotic allegories, it starts to enchant the residents, awakening their most insane senses.
An eccentric man advertises for a roommate. A golem called Marblehead seems suitable. There are consequences.
A meek office worker finds himself flung into a fantasy world as a naked muscleman. An early version of the Den character, known from the comic magazine Heavy Metal and the movie by the same name.
Tympanum
Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.
A lonesome man at the threshold of death finds himself trapped in a place called the Endless.
Experimental film following a cycle of seasons as well as the stretch of a single day as a man and his dog slowly ascend a mountain.
This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.