I've Been Afraid

Alex is annoyed when he loses out on being picked as class president. When visiting a local antique shop he finds a magic lamp, with three singing Genies, who grant him three magical wishes.

Melodrama

Kimmi, Sally and Nancy, best friends forever, are spending the night hiding out and drinking at their high school. Kimmi is a vampire and in love with Nancy, but what is 'real sex' and what are the boundaries of desire? Snow starts falling in the gym hall, blood flows freely on the thighs of teenage girls, and it's going to be one hell of a neon colored night, but hey: You Only Live Once. YOLO!

Johnny YesNo – Redux reunites Cabaret Voltaire and Peter Care almost 30 years later with a completely new cast, a relocation to LA and an entirely new soundtrack remixed by Richard H. Kirk, the film has lost none of its hallucinatory power. The short goes deep into the structure of Peter Care’s original film and the Cabaret Voltaire tracks used in connection with it. What emerges is as much a juxtaposition of times and places as sights and sounds. The tale changes in the retelling, but that change now seems to be taking place on a molecular level. Richard H Kirk has reconfigured the film’s soundtrack, giving the proceedings an ominous sense of something slowly sliding into view from afar, glimpsed out of the corner of the eye.

Steve is an upwardly mobile entrepreneur who believes he has come up with the next big thing - the next Rubik's Cube. "It's going to be bigger than Betamax!". The film covers his journey home from a super successful day at the office where he's all but closed the biggest deal of his life. Just a couple of mobile phone calls on the way home and it's in the bag. However, as he races back to celebrate with his wife and kids, we witness his fall from apparent certain victory to increasing infuriation - everyone's suddenly stopped taking his calls. His anger and desperation boils over when he can't get anyone on the phone....not his secretary, his investors, or his wife. All the while, the Zombie Apocalypse is happening around him; he's just too self absorbed to notice it... until he gets home.

A documentary about the legendary jazz singer Billie Holiday (1915-1959). There exist many myths and legends about the Jazz Singer Billie Holiday — one of the greatest voices of the last century. Most of them tell the story of the tragic victim of drugs, alcohol, men, color, or the circumstances of her upbringing. To some extent she contributed herself to these legends, especially in her autobiography "Lady Sings the Blues". In recent years, more and more records and reports have shown a different picture of her. These statements of confidants, colleagues and friends clean up with many of the legends and show a strong personality who has been anything but a pitiable victim. Billie Holiday was a strong-willed and determined person and a very complex personality who did not correspond to the classic victim type.

Music performed by The New York Philharmonic Orchestra and conducted by Pierre Boulez. Schwartz manipulates by computer, in real-time the images of the Maestro to realize a unity between his music and the picture.

A silly song about killing spiders.

A couple who can't stop fighting embark on a last-ditch effort to save their marriage: turning their fights into songs and starting a band.

This short animation is dubbed a "Paramount Screen Souvenir" is a lost Fleischer Studios Screen Song featuring Betty Boop and Bimbo.

Light Up the Night is an analog science-fiction short film set in an Orwellian, futuristic 1980s. The story tells the tensions flaring between rebellious citizens and robotic law enforcement. We are introduced to two dissidents as they take aim at the city's looming, panoptic control tower, while local band The Protomen take the stage amidst the action, inciting unrest as they narrate the struggle.

Fleischer Studios 'Screen Song' with Ethel Merman singing the songs.

'SIGN' is a short film that tells, through vignettes, music, and sign language, the story of a relationship between Ben, a hearing man, and Aaron, who is deaf.

Bring Us Your Women is an international anthology dedicated to women and the pursuit of divinity and freedom. The project seeks to tell existing and re-imagined stories of historic and mythical individuals, each presenting a message of humanity that transcends gender and religion.

Based on footage shot in the early seventies and lost for more than thirty years, we see and hear the young Bob Marley before he was famous. The film shows us the Wailers' first rehearsal, when the idea of a Jamaican supergroup was still just a dream. Sit in as the albums of Bob Marley and the Wailers brought reggae music and Rasta consciousness to the world, starting a revolution that would change rock music and contemporary culture.

Short film that accompanies A$AP Mob & Skepta's collaboration "Put That On My Set." The short film is a surrealist take on drug gangs, finding Rocky trafficking psychedelic butterfly wings as part of an organized crime ring. They run a tight moneymaking operation, and "Put That On My Set" showcases the importance of the rappers' crews in the illegal business.

This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.

Devil Sea

Ethel runs a run down saloon in Nicaragua. Word arrives that the soldiers are pulling out, and most of the American miners and all of the women must ship out on a vessel bound for San Francisco, but her boyfriend has been ordered to remain.

A woman sundered from her sweetheart sings the title song as a duet with a personified Old Man Blues, in fog-shrouded woodland.