Paris : l'incroyable chantier de Haussmann

FLAME STILL BURNS is a documentary about the parisian booming hardcore scene, from the ashes of Covid to sold-out venues. But can this overflowing enthusiasm be enough in the face of an economy in crisis, venues shutting down and inflation? Can the flame still burn through it all?

Three restoration students and scholars from all over the world meet in a Palladian villa in view of a conference on Palladio. Meanwhile, in the United States of America, a young university professor asks his mentors, Kenneth Frampton and Peter Eisenman, how to be able to transmit Palladio's humanistic values to the new generations.

In the heart of the Jordanian desert, the ancient city of Petra is full of mysteries. How was this architectural wonder created over 2,000 years ago? The technical prowess of Petra, an ancient city in southern Jordan, which was a wonder in the middle of the desert.

A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.

Disneyland Paris : Les Secrets du château

Under the Eyes retraces the route of a parisian hardcore band, from creation to their first concert. Follow the conception of their first EP, from rehearsals to the studio. Discover what's behind the scenes of the evolution of a band in an underground environment.

Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.

Tadao Ando (b.1941) is a world-renowned architect, and a recipient of the Pritzker Architecture Prize. His calm, minimalist architecture with elegant concrete designs reflects the Zen principle of simplicity. In the film he reveals the experience a building should evoke, as he discusses a number of iconic designs, such as The Row House and The Church of Light.

In the sixties, Peter Handke was one of the first to show how the business works: the writer as angry young man and pop star of the literary scene. As soon as he was on the bestseller lists, he turned his back on the hype. For many years, he has lived and worked in his house in a Parisian suburb, more quietly and more hospitably. Peter Handke's precise, free gaze becomes perceptible in his texts, his conversations, the cosmos of his notebooks.

Discovering Paris under the German occupation through the story of an SS soldier and more generally of Wehrmacht soldiers allows us to follow the daily life on the German side. These soldiers enjoyed privileged status, during their stay, they were led to believe that they belong to a social elite, a status unreachable back in Germany during peacetime. And who better than a German who has led such lifestyle to serve as a common thread and tell this story?

A walk through the career of French filmmaker André Téchiné, from his own point of view and that of those who worked with him: Catherine Deneuve, Daniel Auteuil, Emmanuelle Béart, Juliette Binoche and Sandrine Kiberlain, among others.

De Gaulle bâtisseur

Pérou : Le Machu Picchu et la Vallée des Incas

Thomas Pesquet : Objectif France

This insightful documentary feature from PJ Letofsky serves as a profile of iconic Austrian-American Architect Richard Neutra, whose work and legacy have helped shape the modern understanding of design, architecture and the interconnected fabric of nature. Today, Richard's legacy lives on through his son, Dion, who has taken up his father's mantle after nearly three-decades under his mentorship.

The construction of the Obelisco in Buenos Aires, Argentina.

Short subject on how fashion is created-- not by the great couturiers, but on the street.

Dora Maar, a world-class photographer who began her artistic career in the French Surrealist scene of the 30s, lived in the shadow of Spanish painter Pablo Picasso, her lover between 1935 and 1943, with whom she maintained a chaotic, even violent, relationship. Fortunately, she survived Picasso's abusive behavior and its sequels to find a new path, the best one, the one that is worth to be told, in spite of Picasso.

There are houses, and then there’s Ricardo Bofill’s house: a brutalist former cement factory of epic proportions on the outskirts of Barcelona, Spain. A grandiose monument to industrial architecture in the Catalonian town of Sant Just Desvern, La Fabrica is a poetic and personal space that redefines the notion of the conventional home. “Nowadays we want everyone who comes through our door to feel comfortable, but that's not Bofill’s idea here,” says filmmaker Albert Moya, who directed latest installment of In Residence. “It goes much further, you connect with the space in a more spiritual way.” Rising above lush gardens that mask the grounds’ unglamorous roots, the eight remaining silos that once hosted an endless stream of workmen and heavy machinery now house both Bofill’s private life, and his award-winning architecture and urban design practice.

A native of the capital of Catalonia, the architect-urban planner, to whom we owe the Saint-Honoré market in Paris and the Donnelley Building in Chicago, speaks of Barcelona with infectious passion. "It's a unique city, difficult to understand with conventional diagrams, he explains, criss-crossing the main arteries of the city". It is an unfinished city, constantly changing, where everything has the charm of the unfinished". With a sharp eye, Ricardo Bofill observes and comments on volumes and scrolls. Standing, in the nave of the Sagrada Familia, arms outstretched, it pivots on itself as if to take in space. "You have to have your eyes wide open, move quietly, and at the same time remember what's behind. This is how we have the sense of space. Otherwise this art does not exist."