TRAUMA

Led by Woody, Andy's toys live happily in his room until Andy's birthday brings Buzz Lightyear onto the scene. Afraid of losing his place in Andy's heart, Woody plots against Buzz. But when circumstances separate Buzz and Woody from their owner, the duo eventually learns to put aside their differences.

A two-minute computer animation of a fantastical centipede having a spot of bother with a mischievous segment.

The hilarious hour-long episode follows the bipolar, beer-swilling dog, Barkley, and the Critters, the band he fronts. His rocker menagerie includes a vulture, a snake, a tracksuit-clad paranoid schizophrenic crow, a Buckethead-esque farm boy on harmonica, and a manic- depressive canine drummer.

With 8 Switches, Tim Wright presents six black-and-white microcinematic vignettes of retina-searing, hard-edged, epilepsy-inducing sound and vision; digital hallucinations drained of colour, synchronized to a soundtrack that is relentless and unsentimental. Each new section presents a variation on the same sleek, kinetic minimalism. As each section progresses, the razor-sharp line between a host of binary oppositions—black/white, figure/ground, silence/sound, here/there, on/off — dissolves through sheer velocity. The rapid-fire alternation between these binary oppositions acts like the flicker of film frames, accelerating until sound and sight are wed into a synchronous whole in which neither the visual nor the sonic takes primacy. Instead, each acts as mutually constitutive literalisation of the other. — Joseph Clayton Mills

Shot in Ireland and Poland - a journey that explores ideas of decision, choice, consequence, circumstance and time among other things, a personal perception on how we try to find whatever it is we are searching for.The film looks at objects, people, and places which share common properties, our connection with one another and our environments in the very similar yet very different paths we share.

Tangerine Reef is a visual tone poem consisting of time-lapse and slow pans across surreal aquascapes of naturally fluorescent coral and cameos by alien-like reef creatures.

This story picks up a generation after the famous race between the Hare and the Tortoise. This time it's their kids' turn to compete, and they're about to escalate their family rivalry to ridiculous new levels.

A contemporary man in the eye of the cyclone created by information. He finds no support for his hands and feet. It’s like in a poem by Tadeusz Rozewicz (‘falling in every direction’), he turns to dust when his time finally comes.

Monster mayhem from Sticky Monster Lab with freedom brigades and secret spaceships.

A 3D character run through the streets with waffle shoes

White circles appear and disappear on a black surface.

Black kites soar on thermals along the Kamo river in Kyoto. Flags billow. Cacti spin. Plum trees blossom. Pigeons make love atop a clock. Friends chat by the riverside. Filmed February/March 2019 on a single 40 year old cartridge of Kodachrome Super 8 and hand-developed in Caffenol. The film was heavily fogged, but there are some (real) images.

"The Immortality of the crab" is an experimental animated short film shot on super 8 film, made with in-camera editing and no post production. In this movie, the synaesthetic research between sound and image is accomplished by connecting the animations, made on 1125 cardboard frames, with an original soundtrack produced using only sounds sampled by handling pieces of cardboard. The title refers to the time spent between the birth of the embryonal idea and the production of the short. "The Immortality of the crab" is a south american expression, almost no longer used, which indicates the act of daydreaming. This film symbolizes the director's release from the spectre of procrastination, a condition he sistematically faced when daydreaming about possible ways to give shape to his idea.

The Philosophy of Horror is a seven-part abstract adaptation of Noël Carroll’s influential film theoretical book of the same title (published in 1990), which is a close examination of the horror genre. The film uses hand painted and decayed 35mm film strips of the classic slasher movie A Nightmare on Elm Street (Wes Craven, 1984) and its sequel A Nightmare on Elm Street 2: Freddy's Revenge (1985).

Two young wolves at opposite ends of their pack's social order are thrown together into a foreign land and need each other to return home, but love complicates everything.

All day of St. Petersburg bohemia in 4 minutes of the film.

Norman McLaren made Scherzo early after his arrival in North America in 1939, but the film was subsequently lost. In 1984 the original materials were found and the hand-drawn images and sound were reconstituted. Picture and sound dance triple-quick in this animated version of a musical scherzo. A film without words.

In 2013, Lei Lei and Thomas Sauvin collected numbers of black-and-white photos from Chinese flea markets and imagined that all of them belonged to one fictional Chinese person. Through rendering, collage, and a cyclical process of hand coloring, scanning, and printing, connections among the photos were created.

Throughout three decades, Bill Laswell has been a constant innovator, fusing seemingly disparate genres into a whole new sound. Touching upon everything from worldbeat, funk, rock, hip-hop and jazz, there are no limits to his experimental approach. Among his many talents is his ability to bring together well-matched singers and players to create a distinct style that defies easy classification. His Soundstage episode embodies his unique approach, transcending any genre boundaries and delivering an engaging performance. From the World Beat of Tabla Beat Science, to the jazzy flavors of Pharoah Sanders backed by Material, it’s an exciting mix. Other surprises include a rocking Buckethead set that includes a little breakdancing and songs by Praxis. The show culminates with an all-star performance, funked up by Bootsy Collins.

As the Clone Wars sweep through the galaxy, the heroic Jedi Knights struggle to maintain order and restore peace. More and more systems are falling prey to the forces of the dark side as the Galactic Republic slips further and further under the sway of the Separatists and their never-ending droid army. Anakin Skywalker and his Padawan learner Ahsoka Tano find themselves on a mission with far-reaching consequences, one that brings them face-to-face with crime lord Jabba the Hutt. But Count Dooku and his sinister agents, including the nefarious Asajj Ventress, will stop at nothing to ensure that Anakin and Ahsoka fail at their quest. Meanwhile, on the front lines of the Clone Wars, Obi-Wan Kenobi and Master Yoda lead the massive clone army in a valiant effort to resist the forces of the dark side...