Is It Over Yet?

The COVID-19 pandemic scars the citizens of Mexico City.

Um Metro e Meio

Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.

During an audio message sent to his daughter, a father reflects on how the recent discovery of dusty reels and scratchy VHS tapes capturing childhood moments has propelled him on a journey of ancient memories and forgotten dreams . Using a blend of personal, public domain, and freely available footage, the film deconstructs reality and reimagines the past, questioning where memory ends and imagination begins.

The true history of a collection of some 500 films dating from 1910s to 1920s, which were lost for over 50 years until being discovered buried in a sub-arctic swimming pool deep in the Yukon Territory, in Dawson City, located about 350 miles south of the Arctic Circle.

Desperate, broken men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor's decision to help them has extraordinary and unexpected consequences.

A woman attends a party where she is observed by and finally meets a mysterious guest.

A documentary about special makeup effects on low budget horror films. Includes behind-the-scenes footage from Murder Weapon (1989), Robot Ninja (1989), Ghoul School (1990) and Skinned Alive (1990).

GINI VIDI VICI

An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on.

The bizarre story of Elliot "White Lightning" Scott, who plans on becoming Canada's first action hero with his low-budget karate epic, Blood Fight. This surreal documentary captures two years in the lives of a passionate amateur filmmaker, his supportive partner Linda Lum, and their cast and crew of outrageous dreamers - all striving to achieve success.

Struggling with fear, tension, and anxiety amid the early stages of the COVID-19 pandemic, a high school student reflects upon what really matters.

The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.

When Khani and Matt met on a dating app, they had no idea COVID-19 would turn their spur-of-the-moment trip to Costa Rica into a months-long adventure.

SVT Sport has met some of Sweden's biggest sports stars to see how they handled the invisible opponent - covid-19.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.

A viral video shows a mysterious figure walking along the edge of the woods each day, and filmmaker Bill Howard sets out to spend a night there to find out exactly what it is.

A work inspired by the uncanny juxtaposition of the political murder of America’s 25th President during the fantastically realized 1901 World’s Fair, as filmed by Thomas Alva Edison. uncovers a hidden continuum of cinema, terrorism and spectacle.

Using visual assemblage as a technique to delve into the artist's own formation of personal narrative, self-possession and the aestheticization of compositional materials, Sodipo extends her long term fascination with images that pull, extend, transform and recontextualise notions of femininity, desire, and danger.