DIVISOR / VILLEURBANNE

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

Purple colors the city of Los Angeles, as BTS brings their "Permission to Dance" concert to SoFi Stadium for the first time in two years. In a stadium radiating anticipation and cheer, splendid performances from "On" to "Permission to Dance" glorify the stage that now comes to life on screen. Be united once again by the power of music.

Latin Grammy Celebrates: Them and Their Music

The film explores the sexual aspects of Serbian folklore. Ancient myths that have trickled into everyday household remedies or explanations are juxtaposed with the joys of the female and male sexual forms from which all human life originates. Functioning as both sexual liberation and reinvented modern myth, Balkan Erotic Epic is a display of the need for a cultural change in viewpoint around sex.

On the occasion of the fourty years anniversary of François Mitterand's election, a look back to the relationship between the President and artists, from admiration to manipulation.

Originally formed amidst the chaos of the 1970 Kent State anti-Vietnam War protest killings, the not quite new wave band Devo scored a hit with "Whip It" and gained mainstream success with their message of societal "de-evolution."

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

Art dealer Salvatore Viviano and director Angela Christlieb embark on a search for the lost artist collective Gelitin, which since the 1990s has shattered the borders of "good taste" again and again with extravagant actions and installations. Interviews with old companions and artist friends in the U.S., Europe, and Asia are linked with anarchically montaged Gelitin archive material: intense, transgressive, experimental, gaudily colorful, funny, and virulent.

The finale of the LOVE YOURSELF Tour attended by 2.06 million people through 62 concerts in 24 cities around the world, spectacular performances and special effects that filled the Seoul Jamsil Olympic Stadium and the live atmosphere of the last day of the LOVE YOURSELF Tour.

Oasis Knebworth 1996 - the eagerly anticipated feature length documentary telling the story of the special relationship between Oasis and their fans that made the largest concert of the 90's possible, directed by Grammy Award-winner Jake Scott. It is told entirely in the moment through the eyes of the fans who were there, built around extensive and never before seen archive concert and backstage footage from the event, with additional interviews with the band and concert organisers. Also included are the full concerts from both nights, edited by Dick Carruthers with audio mixed by Will Shapland in 5.1 surround sound.

“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)

In this revealing study of Norval Morrisseau, filmed as he works among the lakes and woodlands of his ancestors, we see a remarkable Indigenous artist who emerged from a life of obscurity in the North American bush to become one of Canada's most renowned painters. Morrisseau the man is much like his paintings: vital and passionate, torn between his Ojibway heritage and the influences of the white man's world.

Lost for 50 years, these newly discovered concerts were filmed at the 1961 Antibes Jazz Festival in France and show Ray Charles in his prime period with the original Raeletts and his most legendary band (including David "Fathead" Newman and Hank Crawford). These first concerts he ever gave in Europe opened the door for Ray Charles to become one of the most revered international stars America has ever produced.

A collaboration between filmmaker Ayoka Chenzira and performance artist Thomas Pinnock, who performs his "immigrant folktales" using traditional lore of his native Jamaica to dramatize his migration to New York in the 60's.

A concert film that the former Pink Floyd singer-songwriter made on various tour dates between 2010 and 2013, when he was playing his former group's 1980 double-album in its entirety.

The dramatic and fantastic farewell concert of the cult rap/rock group 2 Skinnee J's, intertwined with interviews and sketch comedy with the band.

Arctic Monkeys play the Kings Theatre in Brooklyn, NY in support of their new album "The Car"

BTS 1st Japan Showcase: Next Stage held on January 6th, 2014. The DVD captures the group's exciting performance featuring songs from the albums "2 Cool 4 Skool" and "O!Rul8,2!", as well as rehearsal footage.

William Kentridge and Marlene Dumas – two of the most celebrated names in international contemporary art – come face to face in a series of frank, witty and intense discussions about their work and practice. The film follows them from the gentle ambience of a dinner conversation, to their studios – where we are given insight into the way that each artist works – to some of their finished works and installations. What emerges is how very differently these two highly successful South African artists approach image making. Dumas’ method is deeply intuitive – she often works on the floor as though embracing her paintings, pouring and dabbing paint to produce her remarkable portraits. Kentridge is intensely systematic, alternating gestural mark making with the repetitive action of drawing-filming-erasing for his animated films.

A recording of a play about the intangible impacts AIDS has on a community. This is a moving, beautifully photographed combination of theater and documentary that captures the incredible excitement of live theater and intensifies the power of the play's message.