Beijo de Borboleta

Arma Fatal. Cortometraje de 4º para Informática.

A short experimental film, exploring the concept that one small change can have a profound impact on a person's life.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The short film is a poetic interpretation of the writer's mental journey during the writing process. The writer, played by Bryan Cranston (AMC’s Breaking Bad), creates a woman in his mind, played by Lela Edgar, while working on his next script.

Casiopea is the journey to life itself. A captivating adventure that unravels the eternal question of humankind: What happens before/after life?

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

After the earthquake, my grandmother is facing the loss of her apartment.

Miranda, the Manchester Acatitla forward, returns home after a victorious match. On her way back, she faces dangers off the court.

The limit of tension in a family reaches its peak when the father discovers a spiders nest.

Twenty-two years after the massacre perpetrated by paramilitary groups in complicity with the government, the people of Acteal celebrate their martyrs and persist in their demand for justice.

An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.

Ricky Tomlinson sits back in his chair and takes a fond look back at the much-loved comedy series The Royle Family, sharing his memories of playing head of the family Jim Royle and his experiences working with the show’s co-creator Caroline Aherne, who, as well as writing the show with co-star Craig Cash, also played Jim’s daughter Denise. Ricky talks about how a chance encounter helped him get the part of Jim, recounts what it was like filming some of the show’s most iconic moments, and tries to get the bottom of the origins of Jim’s famous, below-the-belt catchphrase.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

In this powerful story, a teenage girl escapes reality through live action role-playing when her mother is suffering an illness, which will soon reach a breaking point. It was written by siblings Lisi Purr and Anton Jøsef. They were inspired by their mother’s stories from when she was a support worker.

A Thousand Words explores a daughter's relationship with her stroke-stricken father through still pictures and 8mm footage he shot while serving in Vietnam.

A taciturn Zamboni driver finds comfort in his work, preferring the company of his icy rink to other people. When his shift is suddenly called off one day, he grapples with his newfound freedom by following a discarded coupon to an underground massage parlor.

A young man meets a young woman under a bridge by a railroad. They shelter from the rain and exchange a kiss. The man grows sullen and leaves. The film starts with him and ends with her. It’s a straightforward anecdote told in traditional ways, the likes of which he’d forsake forever; that is, it uses actors, a soundtrack with music and post-dubbed sound effects, a photographer who frames everything professionally and a coherent edited narrative.

An accompanying short film to TÁR (2022).

A journey of a 7 year-old boy's acceptance of his grandpa's death in a traditional Taiwanese funeral.

Johann Lurf‘s film Endeavour slides between documentary, avant-garde film, and science-fiction. This highly singular combination of materials and techniques gives the viewer of Endeavour a feeling of flight, as the film continually evades the gravity of genres and definitive definitions. Lurf uses NASA footage from a day and a night launch of the space-shuttle that follows the booster rockets from take-off to splashdown.