The Cold War and Civil Rights collide in this remarkable story of music, diplomacy and race. Beginning in 1955, when America asked its greatest jazz artists to travel the world as cultural ambassadors, Louis Armstrong, Dizzy Gillespie, Duke Ellington and their mixed-race band members, faced a painful dilemma: how could they represent a country that still practiced Jim Crow segregation?
In 1986, Ross McElwee (Sherman's March) and Marilyn Levine were making a film about the 25th anniversary of the Berlin Wall, when the imposing structure was still very much intact as the world’s most visible symbol of hardline Communism and Cold War lore. They thought they were making a documentary on the community of tourists, soldiers, and West Berliners who lived in the seemingly eternal presence of the graffiti emblazoned eyesore. But in 1989, as the original film neared completion, the Wall came down, and McElwee and Levine returned to Berlin, this time to capture the radically different atmosphere of the reunified city.
When Mikhail Gorbachev rose to power in 1985, his reform policy sparked an independence movement in Estonia, Latvia and Lithuania. But as cries for help from the Baltic States were met with silence from the international community at large, two small nations – Iceland and Denmark – answered the call, motivated by the personal connections of their foreign ministers, Jón Baldvin Hannibalsson and Uffe Elleman Jensen.
What kind of world power is Iran becoming, and how will Western countries deal with it?
Mike Brewer sets off on a journey of discovery to find out the story of one of the most remarkable aircraft in the British Armed Forces: a Chinook helicopter code named Bravo November. By doing so he examines the invaluable contribution that these helicopters have made to campaigns from the Falklands War to modern day British Military service over the past thirty years.
What lies hidden beneath Moscow? Subway palaces full of Soviet propaganda, Stalin's magnificent bunkers, centuries-old river systems. For decades, there have been repeated clues, cryptic statements and hints about Moscow's underground. The cinematic search for clues shows Stalin's command bunker and the government object GO-42, a headquarters of the Soviet military during the Cuban Missile Crisis in 1962. A residential house with potted plants and curtains was built over GO-42 as camouflage. Until the end of the Cold War, specially trained soldiers took care of the bourgeois residential charm and turned on the lights in the evening while 2,000 people threatened the world around the clock with intercontinental missiles. The documentary also shows encounters with the illegal explorers of these complex transportation and housing systems, the Diggers.
On March 9, 1953, Joseph Stalin was buried in Moscow in front of a million people. His funeral is that of a demi-God. Ultimate paradox for one of the greatest criminals in History who brought misfortune to his people while arousing collective admiration.
Waffen-SS officer Otto Skorzeny (1908-75) became famous for his participation in daring military actions during World War II. In 1947 he was judged and imprisoned, but he escaped less than a year later and found a safe haven in Spain, ruled with an iron hand by General Francisco Franco. What did he do during the many years he spent there?
A new look at the public and private life of one of the most important statesmen in the history of Europe: Winston Churchill (1874-1965), soldier, politician, writer, painter, leader of his country in the darkest hours, winner of the Nobel Prize in Literature, a myth, a giant of the 20th century.
A documentary about US-led covert actions under the Reagan administration intended to bolster the perception of Soviet aggression, undermine the peace initiatives of Sweden's PM Olof Palme, and to tie the non-aligned Sweden to NATO.
A landmark four disc Box Set - Unearthed from Moscow's legendary Soyuzmultfilm Studios, the 41 films in ANIMATED SOVIET PROPAGANDA span sixty years of Soviet history (1924 - 1984), and have never been available before in the U.S.
This film shows how far we have come since the cold-war days of the 50s and 60s. Back then the Russians were our "enemies". And to them the Americans were their "enemies" who couldn't be trusted. Somewhere in all this a young girl in Oklahoma named Shannon set her sights on becoming one of those space explorers, even though she was told "girls can't do that." But she did.
A dangerous game is played in the 80s as the Cold War brings two superpowers to the brink.
A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.
This documentary talks to women training with machine guns, to undergraduates taking courses in How to Stay Alive, to retired generals who run schools for mercenary killers, and to self-appointed clergy who say their native America has "gone soft on the Devil and the Reds" and has become a "Disneyland for Dummies".
Two well-known Quebec artists (filmmaker Jacques Godbout and playwright René-Daniel Dubois) look at the Battle of the Plains of Abraham. Whose version of this historic event should prevail? Is history best served by documentary or fiction? We also meet Baron Georges Savarin de Marestan and Andrew Wolfe-Burroughs, direct descendants of Montcalm and Wolfe, both of whom died in the battle that would give birth to Canada and to the province of Quebec.
13 August 1961: the GDR closes the sector borders in Berlin. The city is divided overnight. Escape to the West becomes more dangerous every day. But on September 14, 1962, exactly one year, one month and one day after the Wall was built, a group of 29 people from the GDR managed to escape spectacularly through a 135-meter tunnel to the West. For more than 4 months, students from West Berlin, including 2 Italians, dug this tunnel. When the tunnel builders ran out of money after only a few meters of digging, they came up with the idea of marketing the escape tunnel. They sell the film rights to the story exclusively to NBC, an American television station.
Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.
Documentary about the Cold War.
The film documents the conversion of young Greek Military Police (ESA) recruits into torturers and touches on the subject of the power of the institution to compel otherwise moral human beings to torture. The documentary examines the processes and methods of the military junta that ruled Greece from 1967 to 1974.