Number Two

Diwan, a lyric anthology, an outdoor movie with people. With people living in the surrounding precious and very beautifully photographed nature, are neither more nor less than one part of it. What Nekes manages there with landscape, as a cunning and quote many fine artist in a medium that runs in time, as he defeated the time changed, by themselves for change of scenery uses, as it interferes with the laws of chronology through the rewind ability of the camera or destroyed, which is a compelling and highly aesthetic experimental company.

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".

Is all that we see or seem, but a dream within a dream?

Inquisitive journalist Grace Collier is horrified when she witnesses her neighbor, fashion model Danielle Breton, violently murder a man. Panicking, she calls the police. But when the detective arrives at the scene and finds nothing amiss, Grace is forced to take matters into her own hands. Her first move is to recruit private investigator Joseph Larch, who helps her to uncover a secret about Danielle's past that has them both seeing double.

This is our documentary, it is about you and me. One day after you disappeared, after you sent that break-up message, I made you this video letter. A day after the military took power. In a matter of a day, you and I lost us, and we all lost a revolution. I am not angry, I am disappointed. But how does one live disappointment? What is the physical action associated with disappointment? Anger is much easier. Sadness is much easier. Hatred is the easiest. But I don’t hate you. You are too innocent to hate. We were too innocent to win. It is life.

What happens after THE END? The fable of Isabela, a phantasmagorical journey of a girl searching for her true self.

A delusional young woman mourning the loss of her cat receives a visit from an unexpected visitor.

Eve awakes in an unstaffed medical facility with no recollection of how, why or when she was admitted. She joins a group of outcast patients, who are attempting to recall what takes place during treatment. As Eve learns more about the patients, she begins to remember the terrible events that led to her sickness. An alien world at the edge of her dreams begins to bleed through, compelling her to write the transmissions down. Soon, these visions will consume her. Is she a prisoner, a patient... or dead?

“I don’t believe in love because I’ve never seen it,” responds a young woman to an unseen interviewer in the first few minutes of the movie. This bleak portrait of loneliness and social exclusion is set on the edge of a desolate swamp where an aging clown and his daughter are struggling to survive. The location could be the end of the world, a place where hope has vanished along with a belief in the afterlife and the existence of God. The two unfortunates live together without the likelihood of change, as fear, aggression, and anger take hold of them – but they also experience sudden moments of tenderness.

While looking for new tenants for his seaside villa, surrounded by a big garden, Andrea Ricoli, a 50-years old architect, meets Rossana, a newly 40-years old, anaesthesiologist at the local hospital, and married to Riccardo, ten years younger than her: he's an aspiring writer, temporarily employed as a salesman at a local shoe store. During an eventful New Year's Eve, Andrea introduces Riccardo to a Maghreb restaurant owner - who is interested in restoring an attic apartment - and his lovely sister Hikma. Months go by. Andrea discovers that Hikma is pregnant with Riccardo's child, while she's struggling with her old-fashioned, fundamentalist brother's mentality. He offers to help the couple and let them stay with him in his villa. Teaching him how to care for his garden, the young Hikma reminds Andrea of his wife Sofia, who passed away right there four years earlier, in unclear circumstances...

A very handsome man finds the love of his life, but he suffers an accident and needs to have his face rebuilt by surgery after it is severely disfigured.

"A Motion Selfie" is one-of-a-kind DIY filmmaking: a darkly comic chronicle following a year in the life of a washed-up viral video star and the sexually depraved stalker who becomes obsessed with his work.

An elderly woman makes the acquaintance of a strange and disturbed little girl in this haunting film based on the Truman Capote short story 'Miriam.'

A committed synchronized swimmer tries to win the championship and the heart of the coach.

Petek is very versatile and is experimenting with all possible formats, the Zagreb film school of animation-influenced parts, the quasi SF childish games, the color splashes, the psychedelic timbres, the pop art/ collage experiments and a swirl of other 60s gestures.

Experimental film by Ivan Martinac.

Old cinema creates new cinema in a new context. Stolen old images, someone’s audio track, someone else’s soundscapes – they re-create, reinventing interactions, relations and dialogue in familiar footage. Telling new stories. Transforming it back into cinema.

A man desperately struggles against a powerful, unseen force.

An unknown future. A boy confesses to the murder of another in an all-boy juvenile detention facility. More an exercise in style than storytelling, the story follows two detectives trying to uncover the case. Homosexual tension and explosive violence drives the story which delivers some weird and fascinating visuals.