A'a, la Joconde de la Polynésie

When an academic unearths a forgotten history, residents of the small township of Pukekohe, including kaumātua who have never told their personal stories before, confront its deep and dark racist past.

La Justice sous l'Occupation

Debunking the mythology surrounding the 16th century French prophet, Nostradamus.

In 1900, the eyes of the whole world are on Paris. The World's Fair welcomed 50 million amazed visitors, and the city celebrated itself in a glamorous era. This period went down in history as the "Belle Époque." Elaborately restored and colorized historical photographs bring to life the exciting life in Paris between the end of the 19th century and the beginning of World War I in 1914. Bicycles, cars, airplanes, moving pictures, newly founded film studios, revolutionary composers and painters, avant-garde ballet performances, fashion houses, summer resorts on the Atlantic coast – life was intoxicating. People celebrate in the variety shows, cabarets, and revue theaters of Paris. Moulin Rouge, Folies Bergères, Bal Tabarin—in Paris, the nights are long and life is too short to sleep through. It is a dance on the volcano, given the political developments in the world.

This documentary features a kinetic artist who creates vibrant mixed media works that push the boundary between 2D and 3D.

À la recherche du Schindler polonais

Between June 1940 and March 1943, the 1,200 kilometer long demarcation line broke France in two. For almost three years she controlled the daily newspaper of 40 million French people. In the north the zone occupied by Hitler's soldiers, in the south the zone administered by Marshal Pétain's Vichy regime. This film lifts the veil in this theater on the shameful mistakes of the collaboration, but also on the most courageous and noble deeds. Archive images and film recordings at places where the border used to be crossed are alternated with interviews with the last witnesses of this time.

The Impressionists are the most popular group in art history – millions flock every year to marvel at their masterpieces. But, to begin with, they were scorned, penniless outsiders. 1874 was the year that changed everything; the first Impressionists, “hungry for independence”, broke the mould by holding their own exhibition outside official channels. Impressionism was born and the art world was changed forever. What led to that first groundbreaking show 150 years ago? Who were the maverick personalities that wielded their brushes in such a radical and provocative way? The spectacular Musée d’Orsay exhibition brings fresh eyes to this extraordinary tale of passion and rebellion. The story is told not by historians and curators but in the words of those who witnessed the dawn of Impressionism: the artists, press and people of Paris, 1874.

The film is about Azerbaijan.

De Gaulle, l'homme à abattre

When the revolution in Nicaragua won its victory nearly 40 years ago, the world began to dream. A young generation was taking the reins in a country of grand utopias. From West Germany alone, 15,000 “brigadists” travelled to help rebuild the war-torn country: liberals, greens, unionists, social democrats, leftists and church representatives harvested coffee and cotton, built schools, kindergartens and hospital wards. No movement has mobilised so many people. What became of the hopes and dreams of the revolutionaries and their supporters?

More than 2.000 years ago, Narbonne in today's Département Aude was the capital of a huge Roman province in Southern Gaul - Gallia Narbonensis. It was the second most important Roman port in the western Mediterranean and the town was one of the most important commercial hubs between the colonies and the Roman Empire, thus the town could boast a size rivaling that of the city that had established it: Rome itself. Paradoxically, the town that distinguished itself for its impressive architecture, today shows no more signs of it: neither temples, arenas, nor theaters. Far less significant Roman towns like Nîmes or Arles are full of ancient sites. Narbonne today is a tranquil town in Occitania

This documentary explores the events surrounding the greatest maritime tragedy in the history of the Pacific coast, the sinking of the Princess Sophia. The Canadian Pacific steamer had left Skagway, Alaska, on October 23, 1918, on its way to Vancouver, when a fierce blizzard hit. The ship veered off course and ran aground on a reef. Despite the proximity of several other ships, the harsh weather prevented any evacuation attempt. Almost 48 hours later, the Sophia slipped off the reef and sank. The following morning, rescue ships faced the terrible evidence: only the tip of its mast was visible. None of the 353 passengers and crewmembers survived. Archival photos, 3D animation, exclusive interviews and underwater photography relate an important chapter of maritime history, while vividly portraying a place and time.

A documentary made by History Time on YouTube. Written, researched and produced by Pete Kelly.

The Victorian era is often cited for its lack of sexuality, but as this documentary reveals, the period's artists created a strong tradition surrounding the classical nude figure, which spread from the fine arts to more common forms of expression. The film explains how 19th-century artists were inspired by ancient Greek and Roman works to highlight the naked form, and how that was reflected in the evolving cultural attitudes toward sex.

When Australian artist Eolo Bottaro revives the lost Triform Goddess Isis, Polizzi's forgotten history revives. This gripping documentary captures the statue's creation, the town's awe, and the artist's unexpected bond with the Sicilian town.

The Conference on Security and Cooperation in Europe (CSCE) was the starting point for the slow but sure collapse of communist authoritarian rule in Eastern Europe. The Helsinki Effect offers new perspectives on the events of the Cold War. The film tells the story of the CSCE process, which had a major impact on the end of the Cold War, and sheds light on secret top-level discussions behind closed doors, through voice simulations using artificial intelligence.

This film explains what James Ensor (1860-1949) meant for the development of art and makes palpable where he got his inspiration from.

Titien : au royaume des couleurs

Vercingétorix : le Gaulois qui a défié César