Symbols of an Alien Sky

"The Last Dragon" is a nature mockumentary about a British scientific team that attempts to understand the unique incredible beasts that have fascinated people for ages. CGI is used to create the dragons.

Vaivéns meteorolóxicos na vila da Guarda

In the frigid waters off of Russia’s Bering Strait, Inuit and Chukchi hunters today still seek out the giant sea mammals that have provided their people with food since time immemorial. It is known, that the whale hunting today is controversial and subject to international criticism and regulations. But the Inuit and Chukchi hunt is permitted by international law because of the whaling is the foundation of their culture and their life. The contemporary story of elders Aleksandr and Aleksei blends seamlessly with that of “the woman who gave birth to a whale” and other ancient myths, told here in vivid animation, in this ongoing struggle for survival and preservation of a traditional lifestyle in one of the most remote places on earth.

In this second episode of Symbols of an Alien Sky, David Talbott takes the viewer on an odyssey across the surface of Mars. Exploring feature after feature of the planet, he finds that only electric arcs could produce the observed patterns. The high resolution images reveal massive channels and gouges, great mounds, and crater chains, none finding an explanation in traditional geology, but all matching the scars from electric discharge experiments in the laboratory.

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

This compelling film represents a rare record of an original genius. In Jung on Film, the pioneering psychologist tells us about his collaboration with Sigmund Freud, about the insights he gained from listening to his patients' dreams, and about the fascinating turns his own life has taken. Dr. Richard I. Evans, a Presidential Medal of Freedom nominee, interviews Jung, giving us a unique understanding of Jung's many complex theories, while depicting Jung as a sensitive and highly personable human being.

Ukonvaaja - The Hammer of Ukko - is a documentary film that focuses on ancient Finnish folklore and mythology.

Over the centuries, explorers traded tales of a lost civilization amid the dense Amazonian rainforest. Scientists dismissed the legends as exaggerations, believing that the rainforest could not sustain such a huge population—until now. A new generation of explorers armed with 21st-century technology has uncovered remarkable evidence that could reinvent our understanding of the Amazon and the indigenous peoples who lived there. Using CGI and dramatic re-creations, National Geographic re-imagines the banks of the Amazon 500 years ago, teeming with inhabitants living in the Lost Cities of the Amazon.

Debunking the mythology surrounding the 16th century French prophet, Nostradamus.

Encouraged by the polychrome onirism of the Ñuine land, Desiderio (58), a farmer from the south of Mexico, offers an offering to the Tupa, the ancient spirit of the hills to whom his grandparents went to to ask for rain and harvest. At nightfall, as he rests at the foot of a campfire, that mysterious being guides him to the core of an ancestral memory.

Terence McKenna gives us a detailed description of his TimeWave concept and a demonstration of the software Terence originated in his early exploratory period of deep study with the I Ching, the ancient oracular Chinese Book of Changes. He proudly takes us on a biographical tour of our culture from his personal library in the early 80's to what he saw the TimeWave project to 2012. Terence describes the Time Wave as his "only original work". The first part of this piece is the first visual description of Terence's unique theory. The second chapter of the tape astounds the viewer with the display of the the historical resonances that demonstrates how the last 4000 years are compressed into the increasingly speeded up, drawn and squeezed collective thoughts of the "Gaian matrix". Terence McKenna partnered with Sound Photosynthesis' media magicians Faustin Bray and Brian Wallace at the helm to create the visuals that dance and spiral with Terence's every suggestion.

Based on more than two decades of systematic research and cross-cultural comparison by comparative mythologist David Talbott, Remembering the End of the World reconstructs a cosmic drama when planets hung in the sky close to the earth–an epoch of celestial wonder giving way to overwhelming terror. This highly visual presentation offers new answers to enigmas that have baffled experts for centuries. Why did every ancient civilization celebrate a former “Age of the Gods”, an age claimed to have ended in earth threatening disaster? What was meant by the lost “Golden Age?” Why did ancient sky worshipers refer to Saturn as “the sun?” Why was Venus worshiped as the “Mother Goddess?” And why did both Old and New World astronomers celebrate the planet Mars as a great warrior whose battles shook the heavens?

Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.

What would happen if a country of 97 million people were taught at a young age that the boogie man was real. In the Philippines for the last 400 years, the 'aswang' has been used as propoganda and social control by Spanish Colonizers, the Catholic Church, the Philippine Administration, and even the CIA.

Finding Joe is an exploration of the studies of mythologist Joseph Campbell, and of their continuing influence on our culture. Through interviews with visionaries from a variety of fields—interwoven with enactments of classic tales by a sweet and motley group of kids—the film navigates the stages of what Campbell dubbed "the hero’s journey": the challenges, the fears, the dragons, the battles, and the return home as a changed person.

The story of the Trojan Horse is probably one of the most famous stories ever told: after ten years of bloody war, the Greek coalition decides to lift the siege and depart, but not before leaving at the gates a huge wooden horse, which the Trojans confidently lead into the city. A few hours later, the once invincible Troy goes up in flames. What exactly happened? Is this myth true or false?

The History of the Devil charts the evolution the idea of a supreme embodiment of evil from the time of the ancient gods to the present day. This critical analysis provides insightful and structured analysis of the origins of Devil and the way in which it has been used over the centuries.

"The theme of the film HIDDEN CITIES is personal urban perceptions, which we call 'the city'. The city, as a living organism, reflecting social processes and interactions, economic relations, political conditions and private matters. In the city, human memories, desires and tragedies find expression in the form of designations and marks engraved in house walls and paving slabs. But what the city really is under this thick layer of signs, what it contains or conceals, is what we are researching in the HIDDEN CITIES project. The source material for the film are 9 sequential photo works created by Gusztáv Hámos between 1975 and 2010. Each of these 'city perceptions' depicts essential situations of urban experiences containing human and inhuman acts in a compact form. The cities in which the photo sequences have been made are Berlin, Budapest and New York – places with a traumatised past: Wars, dictatorships, terrorist catastrophes."

Monsters have always been part of our nightmares and fairy tales. But where do they actually come from? How much of it is truth, how much is myth? Going to great lengths in this documentary, the filmmakers join scientists to explore a number of the best-known sagas and legends in the world. The search for the origins of what is likely to be the oldest legendary creature, the dragon, leads to snake pits, archaeological dig sites, gold mines and the inside of an Icelandic volcano. They also travel to Texas, hunting for traces of the “chupacabra,” literally the “goat-sucker,” a modern mythical creature with vampire-like teeth that was first spotted in Central America, and accompany palaeontologists to Kazakhstan in search of the remains of what might be the origin of the alluring unicorn, whose horn the Vikings used for trading.

One of the greatest storytellers of our time, and arguably the greatest mythologist, Joseph Campbell spent most of his long, rich career explaining how ancient myths like the Hero’s Journey are relevant to modern life. In understanding the importance of myth as a vital, vibrant source of "mankind’s one great story," Campbell inspired others to embark on a quest for the meaning of myth in their own lives. This biographical portrait, filmed shortly before his death in 1987, follows Campbell’s personal quest—a pathless journey of questioning, discovery, and ultimately of delight and joy in a life to which he said, "Yes."