Alone

Hallo Mabuse captivates through its reduction, in which a conspiratorial narrative takes place, but even more so, the images themselves appear ambiguous, obscure, untrustworthy. A nod of the head, which seems treacherous in its mechanical repetition, meets the profile of a bearded man who does not appear to react at all in a suggested counter shot. The slight flickering of the image further intensifies the impression of an illicit agreement, of witnessing a crooked handshake. The ringing of the unseen telephone and the constant ticking of a clock lend the events a limited temporality. Something is running out, and in doing so, is also already reaching its end, a ghostly final act, which is anticipated by an explosion and breaks off with the sound of a falling guillotine.

All images were shot on 16mm film in the shadow of the Ryman Auditorium on Lower Broadway, a section of Nashville that has for decades attracted country music fans to its honky tonk bars. The visual effects were composed in-camera, while shooting on the street. This film was supported in part by the Tennessee Art Commission.

In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they'll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.

Charlie is a former classical pianist who has changed his name and now plays jazz in a grimy Paris bar. When Charlie's brothers, Richard and Chico, surface and ask for Charlie's help while on the run from gangsters they have scammed, he aids their escape. Soon Charlie and Lena, a waitress at the same bar, face trouble when the gangsters arrive, looking for his brothers.

Five years after their summer together in Barcelona, Xavier, William, Wendy, Martine and Isabelle reunite.

Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.

Marion and Jack try to rekindle their relationship with a visit to Paris, home of Marion's parents — and several of her ex-boyfriends.

A version of Benjamin Britten's opera based on the Melville story. Will the virtuous young sailor Billy Budd be hanged for murder?

The Boyg is the voice within that whispers go around, preventing you from facing yourself, suffocating progress and initiative. A six minute visual and musical remix of Ibsens Peer Gynt, Norwegian Folklore, Edvard Griegs composition, paralyzing panic attacks and The Great Boyg itself who finds us all.

This gritty inner-city film follows various people living in a troubled New Jersey setting, most notably Nick Rinaldi, a disillusioned contractor who has been helped along his whole life by his wealthy father. Other characters in this ensemble drama about urban conflict and corruption include Asteroid, an unstable homeless person, and Wynn, an idealistic young politician.

Molly Stewart, a teen at the top of her class who survives by working nights as a prostitute on Hollywood Blvd, finds her world beginning to fall apart when a depraved, necrophiliac serial killer begins targeting LA’s streetwalkers.

The incredibly spoiled and overprivileged students of Camden College are a backdrop for an unusual love triangle between a drug dealer, a virgin and a bisexual classmate.

Shelter is a multi-layered experimental film that cleverly weaves archival social commentary and recent political activism in a playful analysis of our culture’s misplaced priorities. The film blends a variety of appropriated material — including a homeless demonstration during the gala premiere of an Atom Egoyan film at the Toronto Film Festival — with archival footage of circuses, westerns, and Pierre Burton discussing the pros and cons of building a bomb shelter. Shelter also celebrates the inherent qualities of the film medium, qualities that have quickly become marginalized through the current obsession with digital technology.

Discomposure is an experimental movie made of moving images of women, while they worked and were filmed under an aesthetic of fracture. Her bodies were positioned by the white middle classes men's eyes as if they were parts that served like props, support, and of spectators of lives which depended on these women. The movie disorganized this visual aesthetic. It did to see that, between who was filming and those entered, marginally, the scene, there was the black female look that stared at the camera, as an affront, so showing affirmation, contestation, and constraint.

When a young boy shoots at a bird and misses, he embarks on a search to find where the bullet went.

The Teenagers

Near-silent and shot via a cell phone, a war veteran observes the world which has been colored by his experiences in Afghanistan.

Faustus is a clerk in St. John's at the Newfoundland Department of Education. He dreams of becoming ruler of Newfoundland and seceding from Canada. In the real world, Faustus' boss Eddie Peddle plans to indoctrinate the citizenry of Newfoundland with a cult-like geometric theory known as Total Education, but Peddle may be foiled by the revelation of a secret from his past career.

Based on Samuel R. Delany’s short novel ‘Aye, and Gomorrah...’, where the sci-fi premise of radiation-resistant state-neutered space travellers allows the author to explore androgyny, sexual identity, etc. Hammel uses Delany’s story to create a spookily beautiful world where asexual bodies live in the contradiction between their unarousable loneliness and desire for intimacy and contact.

When Sosuke, a young boy who lives on a clifftop overlooking the sea, rescues a stranded goldfish named Ponyo, he discovers more than he bargained for. Ponyo is a curious, energetic young creature who yearns to be human, but even as she causes chaos around the house, her father, a powerful sorcerer, schemes to return Ponyo to the sea.