Imphaldagi

A young girl turns into an A-List celebrity over night when her private journal is accidently published and becomes a best-seller.

The story of a six year old boy from Phoenix, Arizona whose dreams of becoming a Kungfu master lead him to the birthplace of martial arts - the legendary Shaolin Temple in China. His father must now face a heartbreaking decision and follow his son to China leaving the mother behind in America... a choice few parents could ever imagine.

Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.

In the aftermath of an emotional shock, a ruthless high-class manager faces her own abyss, becomes pervaded by a sensory spirit and undertakes a purifying voyage.

A loose collection of scenes in Hong Kong shot over a five-year period, this film begins with the Umbrella Movement in 2014 and ends right before the summer of 2019, when large-scale social unrest and violent resistance erupted. The everyday scenes capture the ambience and the landscape of change in the city, standing as a quiet prelude to the ensuing conflicts.

One day, a man films himself killing his dog with his bare hands and posts the video on the Internet. One night, Ethan watches the video and sets out to find the man and the behind-the-scenes story behind the dog video.

When Benny's younger brother, Loren, suddenly reappears after being missing for months, the two are forced to reckon with the drastically different ways they have chosen to live their lives.

A boy experiences first love, friendships and injustices growing up in 1960s Taiwan.

In an alternate reality where the decline of nations has given rise to corporatist regimes, any trace of culture or tradition is suppressed by these new leaders to prevent the masses from reclaiming a national identity. However, rebel cells have emerged to counteract this agenda.

A man obsessed with motivational and right wing culture war videos goes on a hollow road trip of discovery.

Doina, a shepherd’s wife in ancient Romania, turns her daily routine into ritual. When nature foretells his death, her journey through grief blends realism, myth, and magic, where despair meets imagination.

A lonely young widow lives with her son following an immutable order: while the boy is in school, she cares for their apartment, does chores, and receives clients in the afternoon.

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.

In the City of Saints, a woman's prayer gets painted and a failed cinematographer soothes his bitterness by uploading his recordings of film screenings for pay.

Thirty-three shots based on the landscapes of the Isère region near Vienne. A work of observation on light, the dilation of Time, wind, calm and storm.

Shot in long, contemplative takes, Madrona Marsh lingers on the last remaining vernal freshwater wetland in Los Angeles’s South Bay. Amid Torrance’s dense urban sprawl, the film observes the marsh as an unlikely oasis—home to birds, fish, insects, reptiles, and moments of quiet human presence. Influenced by the rhythms of slow cinema’s great masters, Devereaux shapes stillness and habitat into a meditative portrait of fragile ecology and the persistence of life within an urban environment.

One morning in the early 90s, florist Ádina performs domestic tasks after apparent disagreements with her husband, Ivo.

In 2022, when the economic crisis in her native country was at its peak, she decided to visit her family there. She turned her short trip into a collage-like diary in which she reflects on her relationship with her homeland, which is in a state of protracted decay. The film is composed of spontaneous snapshots capturing the author's stay, interspersed with inserted captions serving as personal, often poetically formulated comments and observations. As a result, the film does not hide its strongly subjective perspective, but at the same time builds on it to make an important statement that shows the transformation of Lebanese society in everyday details such as the appearance of the city itself or in the intimate sphere of the author's family life.

Sachi quits her job at a museum, starts working part-time at a café, and moves into an apartment recommended by a regular customer. Although she has started a new life, Sachi is still haunted by the memory of her partner whom she will never see again.

Picnic