A film about family life in Osaka. Following the death of their father, three boys struggle to find their own identity with the help of their outgoing mother and weak-willed uncle.
Like a girl runaway, Tsuyu moves to Osaka to work as a bar hostess. She meets the owner of a model school, Yoko, and seriously thinks about becoming a fashion model. Yoko tells her that she can move in to Yoko’s house to take lessons, while making a living at the same time.
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. However, in Japan he manages to escape, and as they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game—the Japanese way.
Asami and Rina are two sisters who are both professional shogi players in the same B League. Both are also unsatisfied with their partners — Asami is in a slump and is danger of slipping into the C League and she blames her husband Kazuya, and Rina is tired of her boyfriend Hiroki, an unsuccessful musician.
In 1906, after finishing a tough migrant job in the Philippines, Takichi has returned to Japan. He starts to work as a rickshaw driver, but his lover had died of an illness, leaving a baby girl, Hatsue. Hatsue grows up beautifully and falls in love with Shintaro. But Takichi objects to their relationship...
Daisuke is in the 2nd grade of high school and he plays on his school's baseball team. Daisuke then takes part in a gourmet contest with 3 of his friends and 2 girls, including Miki, from a nearby girls' high school. The gourmet contest is held to revive the village.
When poverty-stricken Korean-Japanese (Zainichi) discover there is valuable iron ore in the rubble of a destroyed shantytown they plan to haul it out for profit. Amidst this plan there is discrimination, war and an infatuation between a man and a woman, but like everything around them there and owing to the forces around them, there is as much chance that these may burn to ashes and be destroyed or be the beginning of something new.
Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.
This sensuously beautiful film chronicles the activities of four sisters who gather in Kyoto every year to view the cherry blossoms. It paints a vivid portrait of the pre-war lifestyle of the wealthy Makioka family from Osaka, and draws a parallel between their activities and the seasonal variations in Japan.
Turbulent life of Kiwa, the successor of the most prominent yakuza in Osaka, the Domoto Clan.
Michiyo lives in the small place Osaka and is not happy with her marriage; all she does is cook and clean for her husband.
Coco, a Beijing modern girl wants to spend a romantic and fancy Christmas vacation in Osaka. However the place where she gets in is Shinsekai ( "New World" in English, is an old neighbourhood located next to south Osaka city's downtown "Minami " area, as known as one of the most poorest and dangerous area in Osaka.)When she arrives there, she starts feeling regret and frustrated by the encounters and the landscapes which are far beyond her expectation. Suddenly she is involved in an incident surrounds a Chinese family there, meanwhile she starts fascinated by Shinsekai through her wondering. In this short and unusual Christmas vacation, Coco discovers a "Japan " she never knows and a "China" that she is not familiar with.
Satoshi Murayama, the shogi (Japanese chess) master known as the arch-rival of Yoshiharu Habu, the shogi genius of the century, died of an intractable disease at age 29. Satoshi devoted his life to fighting not only the disease but also his rivals, feverishly pursuing the highest title, at risk to his life. Director Yoshitaka Mori (Hyakuhachi (2008), Space Brothers (2012)) depicts Murayama's true struggling life, full of love from his parents and teacher, based on the non-fiction novel written by Yoshio Osaki. Kenichi Matsuyama intensely portrays Satoshi and physically embodies the character.
Depressed and in debt, Santoshi tells his young daughter that he is going to find an infamous serial killer and collect a reward. However, when Santoshi disappears without a trace, she starts to fear the worst and begins searching for him.
The main hero of this film is the spirit of the once very popular wooden statuette called Billiken. It's a small god with a pointed head, a fat belly and a characteristic smile. When the casket in which the statuette was found is broken, the spirit of Billiken is free. After that he tries to fulfill the wishes of all those who had prayed to him, but it doesn't always works.
Naniwa Kinyudo - Haibara knocks on the door of Imperial Finance!
ナニワ金融道 2発目〜銭と泪と権利と女〜
In late 19th century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that he is only praised for his acting due to his status as his father's heir. Devastated by this, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully follows him.
Rei Kiriyama is a 17-years-old shogi (Japanese chess) player. He debuted as a professional shogi player when he was in middle school. He lives by himself in Tokyo, because his parents and younger sister died in an traffic accident when he was little. One day, Rei Kiriyama meets three sisters who are his neighbors. The three sisters are Akari Kawamoto, Hinata Kawamoto and Momo Kawamoto. This is his first meeting with someone outside of the shogi world in many years. Having meals with the Kawamoto family brings warm feelings to Rei Kiriyama. As Rei Kiriyama continues his shogi career, his interactions with his neighbors allows him to grow as a shogi player and as a person.
Despite his efforts of living a normal life as a banker, the life of Toru, the only son of the Yubari Family, becomes disrupted by trouble brought on by his father. When his father’s battle against his rival group the Miike Family ignites, Toru becomes more involved in the turf war than he wished for.