In the middle of woods inhabited by wolves, an astrologist imagines what it would be like to be a werewolf, running and howling through the woods in a schizophrenic blur instead of sitting in his home watching videos. Then the moon calls to calls to him.
This walk in the daily life of several psychiatric institutions, allows us to meet extraordinary people who let us enter their privacy.
A mariner survives an attack from the dreaded pirates of the Black Freighter, but his struggle to return home to warn it has a horrific cost.
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
From the banks of the Bahamas to the seas of Argentina, we go underwater to meet dolphins. Two scientists who study dolphin communication and behaviour lead us on encounters in the wild. Featuring the music of Sting. Nominated for an Academy Award®, Best Documentary, Short Subject, 2000.
Dead Hand episode 2. Last day of war. Last war broke out. All people are dead, but the machines continue dutifully follow orders. On the automatic base machines fueling and charge the weapons of last surviving bomber preparing to drop bombs at the dead enemy city. This happens until the echo of mankind subsides completely. Then comes a new era in which there is no place for us.
Various objects are having a sunny outing together in the nature.
A non-narrative voyage round Sedlec Ossuary, which has been constructed from over 50,000 human skeletons (victims of the Black Death).
In stop-motion animation, a wardrobe moves through the countryside. It arrives in a house, a child's voice recites Lewis Carroll's "Jabberwocky," and various objects, such as toys and dolls, move about, disintegrate, and play out archetypal scenes. Like Carroll's verse, the images are at once familiar and unfamiliar. A child's play suit, hanging in the wardrobe, becomes the adventure's protagonist.
Three surreal depictions of failures of communication occuring on all levels of human society.
A newly-baked bun in a bakery tries to avoid getting eaten.
An elder counts sheep as they fall asleep for the last time. Seeds spread across infertile land, among the deterioration of a bodily vessel and the earth it decomposes into.
A short documentary about the press of GoldenEye.
A comic allegory in which a runaway "city" on legs matches wits with a wily farmer. A farmer has an encounter with a runaway "city" (which devours its environs). He deserts his rural home for the imagined joys of urban life.
Earth is visited by a race of aliens, who issue an ultimatum: either peace or complete destruction.
Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.
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A young boy who likes to play the flute dreams that he has lost his water buffalo.
Tehran Is the Capital of Iran (1966-79) documents life in a deprived district in the south of Tehran. The images of destitution in Tehran's poor areas is accompanied by a variety of spoken accounts: the official viewpoint on the district's living conditions, what the inhabitants have to say, and occasional extracts read out of school manuals. The key element in Shirdel's film is the counterpoint effect he creates with image and sound. His impressively powerful portrayal of social unease helps reinforce the impact of his astonishing documentary images and social themes.