Impressions

An animator finds himself trying to explain his (lack of) artistic vision to his creations, who just aren't impressed.

Seong-ah, the main character who lives in a camp at a welfare facility in the cathedral, is given a confession and is given a continuous service (a practical task for atonement given by the bride after confessing). She tries her best to perform penance, but it doesn't work out as she wishes. What is wrong with her?

An approaching loss threatens the of a middle-class family, whose dark secrets gradually come to light and begin to gnaw away at the family members - literally.

A man prays before the moonlit sky, a silhouette in the blue night, on his knees. The gently moving trees, the mountains on the horizon.

An MI5 double agent is forced to stop his brother's gang from committing an insurgency on the British Government. But does the love for his brother outweigh a conflict of beliefs and ideals?

Tubby is a fat cat who has lived in the adoption centre since forever. Tubby is desperate to get out of there. One day, he saw a tv ad that skinny cats are in trend and getting many demands from humans. Tubby is determined to lose weight as it is the only way to attract humans to get him the ticket out of the adoption centre. Will Tubby finally get the adopted if he gets skinny and escape the jail-like adoption centre?

Charlie, a filmmaker looking for a makeup artist for his new horror film stumbles upon a girl named Sally, who he's attracted to despite her being a minor. Charlie's friend and co-worker, Jeff, advises him not to pursue her as he thinks Sally might be working as an undercover cop.

More than a dozen shots, some less than a second, of people wearing roller skates in various settings: a young man in skates sits on a low guardrail next to a city sidewalk reading, a woman with a child shoots by, a constable skates gingerly, a man skates by in suit and vest, another cleans front steps, children skate into a room where papa and siblings sit, someone slips at the base of stairs, a man in a cowboy hat moves fast, two jovial chubby women shake hands, our man in the hat trips over a wheelbarrow, then falls again as he rounds a corner, then down goes the constable. It's a crazy day on the city sidewalks.

Max is a stage struck youth, and because of a deep-seated desire to go on the stage, refuses to consent to a marriage his father has planned for him. The girl, whom Max has never met, is also stage struck, and entertains no wish of marrying him, though her mother is anxious to see her make the alliance. The parents finally manage to bring the young people together, and they, in turn, exert all their skill in an attempt to disgust each other. An accidental meeting between the two when they are off guard causes them to change their minds.

African animals, including a lookout monkey, await with trepidation the arrival of big-game hunter Theodore Roosevelt.

Woman Draped in Patterned Handkerchiefs is a 1908 British short silent documentary film, directed by George Albert Smith as a showcase his new Kinemacolor system, which features a woman displaying assorted tartan cloths, both draped on her body and waved semaphore-style. The patterned handkerchiefs are, according to Michael Brooke of BFI Screenonline, “presumably the same cloths featured in Tartans of Scottish Clans (1906), this time shown from various angles.”

Short discussion between two friends about a strange man they used to know.

A trip to the darkest realms of the subconscious, where there may be no escape.

A presentation of an expanding formation of "Elements of Nothing". The systematic harsh noise shaped by water and trees gives birth to a storm of novel imagination in the viewer's emotions.

Short film by Takashi Makino

Short film by Takashi Makino

Staggeringly simple films: a man itching his back, a man thinking, a man yawning, but like the works of Samuel Beckett, these minute gestures stand in as grand statements of the human condition, akin to the films of Bas Jan Ader and Marcel Broodthaers.

Staggeringly simple films: a man itching his back, a man thinking, a man yawning, but like the works of Samuel Beckett, these minute gestures stand in as grand statements of the human condition, akin to the films of Bas Jan Ader and Marcel Broodthaers.

A short film about a small town where the past and the present are difficult to tell apart.

Pies y corazones