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We Iranian Women

A group of women fight patriarchy and societal values. Prem Kaur, a new police officer, uncovers dark secrets and becomes a beacon of hope for the womenfolk.

Based on the novel of same name by K. Shivaram Karanth. Sarasamma, a woman who lost her life in the practice of Sati, is worshiped by women in troubled relationships. The movie shows the stories centered to these women and societal issues faced by them.

Kanji Watanabe is a middle-aged man who has worked in the same monotonous bureaucratic position for decades. Learning he has cancer, he starts to look for the meaning of his life.

Successful architect Robert has a one-night stand with a mysterious lady in red. The next day they meet again, but Carolin is now a corporate lawyer working on a major contract for Robert ...

The tiricia is an illness of the soul when the heart is saddened. A story of three generations afflicted with being tiricientas: Ita, Justa and Alicia – grandmother, mother and daughter – who have at different times suffered, tolerated and allowed abuse, dragging on the disease. Alicia decides to break the cycle, eradicating it for future generations.

A woman, married off to an abusive butcher, is overpowered by the twin forces of patriarchy and tradition in Taiwan during circa 1920 to 1945.

A contemporary story of love, rejection, and triumph as a young Maori girl fights to fulfill a destiny her grandfather refuses to recognize.

A gripping and intense thriller about honour, loyalty, and the courage to fight for what you believe.

While the Second Nagorno-Karabakh war rages on far away from Baku, Azerbaijan, Banu has four days to find someone to support her in court against her influential soon to be ex-husband, Javid. He is trying to get full custody of their son Ruslan by claiming that Banu suffers from psychiatric issues. Banu embarks on a journey to find someone to help her in a society in which everyone’s attention is preoccupied with the ongoing war.

It is the 1980s. Jens and his brothers live in a single-family house in Risskov, a suburb of Aarhus, Denmark. Here, the family's patriarch psychologist and self-appointed God, Uffe, rules the roost in his dressing gown and underwear. Changes threaten the peace when Uffe decides to write his memoirs.

A traditional wedding procession walks along a narrow street towards the home of the bride. Guests and family members are waiting inside the home on this big day, as they listen to prayers from the loudspeakers. The bride, Putri, is getting ready inside her bedroom while her mother is helping with the final touches of her hair and makeup. Tender and frank conversations about marriage are shared between mother and daughter in that intimate space, before Putri leaves to begin a new life with her husband.

At the riflery club, Jannis runs into his former schoolmate Marvin, who is hiding from a gang. The two accidentally mix up their backpacks. At the office Christmas party, Jannis finds Marvin‘s pistol. He tries to hide it, unnoticed – above all, he doesn’t want his ex-girlfriend, who is at the party, to see it. But then Marvin shows up at the office and wants his gun back.

In 10th century Norway, a young shaman is forced to hunt down her outlaw sister.

André and Vera are a young entrepreneurial couple. They get the opportunity to pitch their female health app at a prestigious competition. Before going there, Vera tries hypnotherapy to quit smoking. From this point, her attitude changes and André starts to behave unexpectedly.

Shirish and Geeta run a rickshaw driver over and have dramatically opposing reactions to the tragedy. Shirish moves on, hiding behind the invisible protections afforded to him by class structure, and the visible walls and locked gates of his home. In parallel, Geeta’s guilt drives her to surreptitiously employ Manoj, the victim’s younger brother, intertwining two lives otherwise separated by class and power. The small collision quickly turns into a dramatic suspense, spurred by greed, betrayal, guilt, as the nocuous effects of grave inequality threaten to unwind the very fabric of each of their lives.

In the living room, RAMA (33), is painting the bottom of the wall which is full of TARA (6) crayon scribbles which resemble the shape of a ship with simple lines. JINGGA (30) is ironing her school uniform and feeding Tara who is busy drawing a boat in a drawing book. Rama looked tired, he suggested that JIngga stop painting so that Tara wouldn't get involved in scribbling. Hearing that, Jingga promised to take care of Tara so she wouldn't do it again. Rama said he was tired when he came home from work and found the house dirty. If JIngga can't get Tara to comply, then JIngga won't be allowed to paint anymore.

In 1930’s British India, sixteen-year-old Indira finds herself torn between true love, her duty to follow through with an arranged marriage, and the powerful allure of a mysterious guru. Through her heartbreaking journey to self-discovery, long-held secrets are brought to light and Indira discovers the strength within herself to break free.

After several years of living with a cult, Martha finally escapes and calls her estranged sister, Lucy, for help. Martha finds herself at the quiet Connecticut home Lucy shares with her new husband, Ted, but the memories of what she experienced in the cult make peace hard to find. As flashbacks continue to torment her, Martha fails to shake a terrible sense of dread, especially in regard to the cult's manipulative leader.

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