Our Monsters

A lost tale from Batman's past, the Dark Knight tracks a strange giant to the mysterious lair of Hugo Strange.

Katie doesn’t usually sleep with women, but that’s about to change.

A young man is going through a deep dilemma between killing his brother to keep his father's inheritance or leaving him alive, so he decides to meet a lawyer in a cafe to ask him for advice. The story is intertwined with an event in his family past, because when the boy decides to act, he is surprised by the consequences of an infidelity that occurred 25 years ago.

When the bride and the groom go missing on the day of the wedding, the stressed-out mother of the bride recruits the best man, who is running late to the wedding, in a frantic search to find them before it’s too late.

A Late Night

Singapore is a football nation. Every weekend, thousands of amateur players, from schoolboys to office executives to retirees, gather to play the Beautiful Game. Not for glory, not for fame; but for passion, football and friendship. This spirit is forged in the neighbourhoods; void decks, street soccer courts, open fields or any patch of grass. All across Singapore, footballers have a place they call their ‘Homeground’. For the first time, this football culture is captured on film. Homeground is a love letter to playing spaces we call home, and a tribute to all amateur footballers in Singapore

What would happen if the boys were girls and the girls were boys? Kim is still a virgin and unhappily in love with a girl. After the gym class he talks to his friend Robin to get some support and ask for advice.

Every dog has his day, but poor Dante can't seem to catch a break.

A bride walks on the desert. She takes off her bridal ornaments and turns into a harlot. A multitude of people crawl on their bellies, become sick and soon die. A volcano erupts. White ashes of lahar cover the earth. The bride remembers her betrothal and repents--symbolically paving the way for the resurrection of her people. A final bridal march into a new heaven and earth takes place.

China, 1997. An unhappy marriage, a love affair and a child who holds all the secrets.

"As a painter carries a sketchbook and practices drawing, I carried a Super 8 camera and shot frame by frame, as an everyday exercise to make animations of lines and shapes found in the public space. The entire film was edited in camera and hand-processed afterwards." (Tomonari Nishikawa)

"The second film in the series, showing my study especially in apparent shapes – a shape that cannot be seen in a single frame but only through a series of consecutive frames when projected. It was edited in camera and hand-processed afterwards." (Tomonari Nishikawa)

"The third film in the series, which starts with a sequence of paired images: a focused image and a blurred image of the same subject, which was caused by a diagonal camera movement. Later, it shows an experiment to produce an apparent depth by rotating an apparent shape. It was edited in camera and hand-processed afterwards." (Tomonari Nishikawa)

"The fourth film in the series, for which I focused on colors and shapes. It was shot on Kodachrome, all edited in camera, and processed at Dwayne’s Photo." (Tomonari Nishikawa)

"This is the last film in the series. I shot at the site of Marin Headlands County in California when I was an artist in residence at the Headlands Center for the Art. The footage shows the nature in the area, as well as the historic buildings originally built for the US Army, including batteries and the Nike Missile Site. It was all edited in camera and hand-processed afterwards." (Tomonari Nishikawa)

"A study in visual rhythm with images of architecture in Manhattan, New York, using the technique I did for the first sequence in Sketch Film #3. All edited in-camera and hand-processed afterwards. This film was commissioned by Echo Park Film Center for the celebration of its 12th anniversary." (Tomonari Nishikawa)

Automatic Fitness is a laberyntic poetry on the human automatism. A reflection about our daily relationship with money and time. It's an animated tragicomedy which plays with the concept of an all permeating acceleration. It is about the stranglehold of everyday madness and the automatisms, in which we are forced to live, work, breathe, think and: exist.

Stuck living as a care giver for his distant ailing mother, Andy receives a surprise intervention from his fabulous childhood imaginary friend.

Actor Marc Berger is unhappy. In an interview, he explains why this is the case and why he feels he has never been loved.

Julio and Damián are a couple that have just adopted smart and shy five year old Andrés. Damián dotes on the boy, his adoption being a life-changing moment for him, while Julio feels somewhat put upon as the bread winner in the family. Soon after, a family tragedy occurs that puts Julio at a cross road, and questioning his parenthood.