Big Executive

Dr. Stannard Wayne -- like all "good" men of the times -- is a God-fearing soul. He marries the former mistress of his friend, Dr. Arthur Richards, without knowing her past. Richards, an abortionist, resumes his affair with the woman and runs off with her. But before he leaves, he frames Wayne for one of the illegal operations he has done, and the innocent man is sent to prison for five years. When he gets out, Wayne has become angry and cynical.

Gordon Palmer is a lazy and cowardly rich man's son. When he and his fiancée, Aileen Merton, are held up by two crooks, Slug Williams and Beef O'Connell, he passively allows them to take whatever they want. At least he comes to life when they try to steal Aileen's engagement ring -- he scares them into giving that back. Aileen, however, is pretty fed up with him.

Nurse Lucy Weston, seeks revenge and marries a young millionaire she believes is responsible for her father's death.

Seduced and abandoned by the caddish Louis La Farge shepherdess Marie Beaupre is cast out of the village and forced to survive in the mountains alone. Driven mad she becomes known as “the witch woman” until hypnotist Dr. Cochefort and his friend Delaunay encounter her while on a hunting trip, take her to Paris, and effectuate a cure at which time she becomes heir to Delaunay's fortune. All seems clear sailing until Marie is introduced to Louis's twin brother Maurice and mistaking him for Louis sets forth on a plan for revenge.

Sato (Sessue Hayakawa) faithfully works for importer James Thornton (James Neill). When the old man dies, he leaves his daughter Mildred (Vivian Martin) in Sato's care. Sato loves the girl, but as he is Japanese he cannot hope to ever marry her (at least not in the racially prejudiced era of the early 1900s). Besides, Mildred loves Harry Maxwell (Tom Forman), who was raised alongside her.

This is a touching story, faithfully told, and shows the devotion of a venerable preacher whose church has retired him because it thought he had outlived his usefulness. In his place a younger minister is secured, who fails at each call made upon him to do his Christian duty.

Minister John Hodder becomes rector of a prestigious church in the Midwestern city of Bremerton but finds dissension and malfeasance among his congregation. When he calls it out both tragedy and a way forward are revealed.

To keep his social-climbing wife and daughters in the lifestyle to which they are accustomed, wealthy George Hunter makes some large investments in the stock market, but the stocks crash and he loses a great deal of money. His wealthy aunt offers to bail the family out, but complications ensue.

A woman with a taste for expensive clothing has four nightmares. An impoverished disabled girl sells her hair, a trapper finds he has an unfaithful wife, the wife of a dying weaver finds she cannot work the loom, and a model harassed by her boss is driven to murder.

A recently widowed and destitute young mother (Jane Novak) appeals to her wealthy and heartless father-in-law (Robert Edeson) for financial aid. Instead, he convinces her to hand over her new baby to his care so that the child will be brought up with "everything money can buy." Unbeknownst to the grandfather, we learn that there are twin sons and our heroine keeps one baby to raise herself. The narrative jumps ahead to the boy's twenty-first birthday and we see what's become of them. Not surprisingly, the wealthy son has grown up spoiled and greedy while the poor one works hard and loves his mother.

Lucy Fay leaves her husband, Richard, a fireman, for a suave politician, Perry Dunn. Richard compensates for the loss by adopting Drina, a baby girl whose mother perished in a fire. Drina develops into a beautiful young lady and becomes a model at a modiste shop owned by Dunn and managed by Lucy. Dunn is attracted to Drina and plots to get her alone by giving her a drugged drink. An untimely fire interferes with his plans, leaving Drina drugged and trapped by flames in Dunn's room, where she is sleeping.

The story of a struggling actor who meets Mian Tariq Ali, a relic of the once thriving film industry. The struggling actor is there to convince Ali to divorce his wife. A contest of male dominance between the two men ensues, starting quite reasonably, playfully even, but eventually turning angry and violent.

A Duel for Love is a 1914 dramatic short.

The story of a ruddy-cheeked rural postman who dabbles in poetry-writing on the side. He utilizes his hobby to spread a bit of sunshine throughout the village, at one point reuniting a long-estranged family.

Daisy Kenyon is a Manhattan commercial artist having an affair with an arrogant and overbearing but successful lawyer and family man named Dan O'Mara. Daisy meets a single man, a war veteran named Peter Lapham, and after a brief and hesitant courtship decides to marry him, although she is still in love with Dan.

Addicted youth Roy Wilson steals his architect father's bid for a railway contract to pay gambling debts to Graham Madison, but the theft leads to his father's death and an attempt to frame Roy's sister Jessie's sweetheart, Carew. After Carew is wrongly accused, a confession from Roy and the exposure of Madison and Carew's plotting lead to Madison's arrest, Carew's vindication, and hope for the future.

Crooked banker Peter V. Wilkinson intentionally drives his own company into bankruptcy and puts the bank's deposits into a secret account he has set up using his daughter Leslie's name. A series of events occurs in which Leslie finds out what her father has done and sets out to get him to return all the money he has stolen.

Uncle Sam is mistaken for Marion's uncle Sam.

Gray plays a reporter trying to unravel a murder involving organized crime. Lorraine plays the heroine.

A poetic story about the first love of the village girl Natasha, loyal to the memory of the deceased fiancé. In peacetime, the heroine's fiancé blew up on a land mine that remained on the collective farm field since the war, and her life turned into a nightmare. But sooner or later, dreams end and the world opens again. Pregnant Natasha goes to the institutions, seeking to be signed with the father of the unborn child who died tragically. At the end, after long ordeals, she comes to the conclusion that writing in the marriage book will not change anything in her life.