How the art in the Detroit Institute of Art connects to life's experiences and the neighborhood.
Well-known television personality Bob Saget -- perhaps best known for his portrayal of squeaky-clean TV dad Danny Tanner on "Full House" -- headlines an unpredictable evening of adult-flavored comedy in this raucous stand-up special. Highlights include Saget's performance of "Danny Tanner Is Not Gay," a pop parody set to the tune of the Backstreet Boys' "I Want It That Way," and the music video "Rollin' with Saget" featuring Jamie Kennedy.
Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.
Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.
Giuseppina Pasqualino di Marineo, better known as Pippa Bacca, was a 34 years old Italian artist. She crossed 11 countries involved in wars, hitchhiking with another Milanese artist, Silvia Moro, both wearing a wedding dress. This was a performance for peace, trust and hoping to prove that if you rely on others, you’ll receive good things only. After travelling many roads, the two artists decided to split for a while in Istanbul, planning to meet again in Byblos. Pippa left then, alone, and nobody heard from her again.
Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.
In this posthumous film, shot in Montreal in 2013 and completed by Michka Saäl’s colleagues and friends, the filmmaker salutes the beauty of Montreal and its people. From the back alleys of the Plateau to artists’ apartments, from a passionate recycling advocate to a queen of the night, everyday heroes are the subject of this final film. They are humble folk, faithful to their personal ethical sense, determined to make the world more beautiful. They are true adventurers, especially as seen by Michka Saäl.
This remastered, rare, local production from the 80s is an unfiltered look into the mind and heart of the world-renowned folk artist Howard Finster. Walking and talking in his Paradise Garden, Finster gives insight into his visions, Faith, and artwork. He even sings and plays the banjo. Dr. George Pullen interviews Finster. And in this case, the word "interview" means that Dr. Pullen just lets Finster talk. And it's pure gold.
Short documentary commissioned by the magazine Présence Africaine. From the question "Why is the African in the anthropology museum while Greek or Egyptian art are in the Louvre?", the directors expose and criticize the lack of consideration for African art. The film was censored in France for eight years because of its anti-colonial perspective.
"A Walk to Beautiful" tells the story of five women in Ethiopia suffering from devastating childbirth injuries. Rejected by their husbands and ostracized by their communities, these women are left to spend the rest of their lives in loneliness and shame. The trials they endure and their attempts to rebuild their lives tell a universal story of hope, courage, and transformation.
Saroyanland is a docu-drama focusing on the journey of famous writer William Saroyan to the birthplace of his Armenian family Bitlis, in Turkey in 1964. While retaking the same road, the film aims to understand Saroyan's unique attitude to belonging, witnessing the self-discovery of a man who followed the traces of his Armenian ancestors.
Don’t Breathe is a dark comedy set in Georgia that follows the tribulations of a middle-aged man, Levan, who is suddenly led to question his existence because of a routine medical examination. It sends him into a downward spiral of paranoia and doubt as he fumbles his way through the theatre of the absurd that we call life. Using humour and a playful tone, the film examines the fragility of human nature, when our bearings get lost and our imagination takes over, highlighting our common fears, doubts, hopes and resilience.
A film documenting the soulful art, environments, and voices of self-taught artists on the back roads of the American South.
At the peak of her immense popularity in the 1920s, evangelist Aimee Semple McPherson was drawing larger crowds to her revivals than those of P.T. Barnum or Harry Houdini. This chapter of "American Experience" paints a vivid portrait of the controversial and charismatic religious figure. Credited with mainstreaming religion in American culture, Sister Aimee created one of the country's first Christian radio stations, among other accomplishments.
How does a traumatic event shape a family? How do you sift through the memories to find hidden clues and unlock a collective grief? Kingdom of Us takes a look at a mother and her seven children, whose father's suicide left them in financial ruin. Through home movies and raw moments, the Shanks family travels the rocky road towards hope.
An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..
On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.
Suellyn thought the Department of Community Services (DOCS) would only remove children in extreme cases, until her own grandchildren were taken in the middle of the night. Hazel decided to take on the DOCS system after her fourth grandchild was taken into state care. Jen Swan expected to continue to care for her grandchildren but DOCS deemed her unsuitable, a shock not just to her but to her sister, Deb, who was, at the time, a DOCS worker. The rate of Indigenous child removal has actually increased since Prime Minister Kevin Rudd delivered the apology to the ‘stolen generations’ in 2008. These four grandmothers find each other and start a national movement to place extended families as a key solution to the rising number of Aboriginal children in out-of-home care. They are not only taking on the system; they are changing it…
A Canadian documentary feature film that investigates the effects of being struck by lightning.
In seven different parts, Godard, Ivens, Klein, Lelouch, Marker, Resnais, and Varda show their sympathy for the North-Vietnamese army during the Vietnam War.