Women of Suriname

Learn about the trajectory of student leader Marcos Medeiros and learn more about his exile in France and Cuba. In 1968, he joined the counterculture when political activism became an audiovisual expression of intervention in social reality.

Political activist Kader Affak—the unforgettable surveyor of Tariq Teguia’s film Inland—runs a charity on the same premises as Le Sous-Marin literary café that he is renovating. In powerful chiaroscuro, he tells Yanis Kheloufi about the final days of his mother, a constitutive episode that gave birth to his unshakeable faith in the Algerian people.

Josephine has all her life been told that her Peruvian aunt Augusta died in an armed struggle for the rights of the poor. As an adult Josefin decides to find out the truth about the legendary Augusta.

In France’s last presidential election, Marine Le Pen, a right-wing candidate, won over 30 per cent of the vote after an attempt to rebrand a party long associated with her controversial father, Jean-Marie Le Pen. See how three of her supporters faced similar obstacles in changing the narrative.

René Vautier, le maquisard à la caméra

Corte Seco, Renato Tapajós' first fictional feature, takes place in 1969 and accompanies Rodrigo, a militant active in the fight against oppression and in favor of the removal of the military government. In this fight, everything was possible: invasion of radio studios to transmit a rebellious message; kidnapping of ambassadors promoted by groups, the so-called apparatuses; assault on banks to finance such activities.

The professional mercenary Sir William Walker instigates a slave revolt on the Caribbean island of Queimada in order to help improve the British sugar trade. Years later he is sent again to deal with the same rebels that he built up because they have seized too much power that now threatens British sugar interests.

Born a lower-caste girl in rural India's patriarchal society, "married" at 11, repeatedly raped and brutalized, Phooland Devi finds freedom only as an avenging warrior, the eponymous Bandit Queen. Devi becomes a kind a bloody Robin Hood; this extraordinary biographical film offers both a vivid portrait of a driven woman and a savage critique of the society that made her.

Makapili, was a militant group formed in the Philippines in December 8 1944 during World War II to give military aid to the Imperial Japanese Army. The group was meant to be on equal basis with the Japanese Army and its leaders were appointed with ranks that were equal to their Japanese counterparts.

Following the restoration of the forgotten Surinamese documentary Oema foe Sranan (1978) this film exposes stories of activism and struggle that enabled the production and distribution of this militant documentary.

Invisible Water Layers discusses and questions the origins of Teresina and its urbanization over the years. The film deals with the move from the capital of Piauí to Oeiras in 1852, the ideas of modernity at the time and the problems that resulted from this process in people and in the city. Along with the idea of ​​progress of the railway, factories and steamboats, many families and workers were relocated from the central areas of the city to more distant parts. The traditional ways of life of these people coexisted, not free from conflict, with the will of civility of the local elites. With 4 interviewees, including architects, historians and researchers, the film also brings a rich set of images from different places in the city, such as the Center, the Parnaíba riverbank and the Poty Velho neighborhood.

Since discovering cancer, Omar has lived with pain, the imminence of death, uncertainty about the future and the suffering of his family. The documentary is a punch in the stomach, a plea for help and a breath of hope for those who battle the disease.

Recognized in Rio Grande do Sul (RS) for his career in theatre, Flávio Dornelles built and consolidated his artistic career in Pelotas since the early 1980s, a period in which he began his work as an actor on the local stages, later going on to perform as actor in several cities of RS and in many states of Brazil.

Making movies is the opposite of isolating yourself. NOTHING I WANTED TO SAY is a feature film shot indoors during the confinement of the 2020 pandemic. While they are involved in making a film about isolation, two brothers, 21 and 19, exercise their gaze towards what is near. Four months confined in a 60 m2 apartment, where they share the loneliness, anticipation and anguish of this strange time. A reflection on isolation during the Covid-19 quarantine and on reconnecting with one's inner self.

The Documentary presents the tragedy in Brumadinho, as a result of the collapse of the bean dam at Mineradora Vale, which resulted in one of the biggest catastrophes with mining tailings in Brazil.

When a person disappears, everything remains in its place. The film shows the life of my grandfather, Herbert Hurrle, through the things he accumulated in life. The memories with which these things are filled come to life.

Their documentary is the result of an ethnographic audiovisual research. How to research the theme woman and all the themes that surround it, respecting the place of speech of each one? Based on an interview with eighteen women cultural makers from the interior of São Paulo, we open the way to listening and dialogue on macro-themes permeated by their trajectories. The stories are theirs, but they're ours. Expand the debate about being a woman, about feminism and about our pains and delights, about our contradictions and dreams. The documentary is then a research, an open process of listening, reinterpreting and giving voice to them.

Exterínio proposes a reflection on the lives of trans women in a city in the interior of Rio Grande do Sul, based on a murder that occurred in 2016. Memories, provocations, life stories that intersect in a plot about the difficulties of living and being trans in the interior of the country that most murders trans women in the world.

THE ARTIST AND THE FORCE OF THOUGHT, reflects the relationship between balance and imbalance within the partiality of movement of the dancer Marcos Abranches. It oscillates the body to wake up from the emptiness and isolation caused by the imbalance. The movement's lack of aesthetics is felt by abandonment and rejection, understanding that relief is in the support of love. Investigating body movement in a world without anguish, without pain, without despair. Search for life. Find in dance the balance of the body and the beauty of the soul.

“Vira-latas” is a documentary that investigates the relationship between human beings and dogs from the perspective of homeless people and abandoned people: dogs. "Man's best friend" doesn't care about social status, race or religion, only fellowship.