Kees Torn: Als Ik het Niet Dacht

A nice boy. That is-ie. Emilio Guzman. He will not fight. Does not seek conflict. He just wants it to go well with everyone. Everyone does what he can not leave. But unfortunately the world is not like that. Underdevelopment prevails. Tension. Anxiety and aggression determine Doing our affairs. Even late Emilio conduct regular surprise. While he was still a nice guy. And smart. He wants to understand what is going on. And why that's happening. And how it could run out. That hand so Ever chose Leiden Cabaret Festival Audience him the winner of one of the strongest ever finals. Now he takes the side of his audience. Not to say what they want to hear. But because he wants to be understood. And that can not leave. Let? We say do it!

Double-meanings, disguises and dirty laundry abound as Sir John Falstaff sets about improving his financial situation by wooing Mistress Page and Mistress Ford. But the ‘Merry Wives’ quickly cotton on to his tricks and decide to have a bit of fun of their own at Falstaff’s expense… The Merry Wives of Windsor is the only comedy that Shakespeare set in his native land. Drawing influences from British 1930s fashion, music and dance, the production will celebrate women, the power and beauty of nature, and with its witty mix of verbal and physical humour, it rejoices in a tradition that reaches right down to the contemporary English sitcom. The Windsor Locals appear courtesy of Soldiers’ Arts Academy, London Bubble and Clean Break.

Karin Bloemen & Cor Bakker: De Diva & De Divan

Two neurotics, working for a suicide hotline on the night of Christmas Eve, get caught up in a catastrophe when a pregnant woman, her abusive boyfriend, and a cross-dresser visit their office.

Diederik van Vleuten: Buiten Schot

Registration of the fourth theatre program by the Dutch comedian Pieter Derks.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

The story is about a doll named Amo Pumble who teaches children how to live in society by reading a magic book to children.

A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.

Najib Amhali: Most Wanted

Guido Weijers: De Oudejaarsconference 2006

Registration of the second theatre program by the Dutch comedian Theo Maassen.

Najib Amhali: Veni Vidi Vici

In October and November 2017, Xander will be back on stage with a second special about his secret love: the Flemish media landscape. Over the past year, De Rycke has watched just about every Flemish film and TV program. With "Xander De Rycke houdt het voor bekeken" (Xander De Rycke calls it quits), he gives the audience a razor-sharp overview. This fall, Xander will take a close look at everything from September 2016 to September 2017. From strong fiction to weak reality and from blockbusters to box office flops. Nothing has escaped his gaze. His conclusion? You'll have to hear it for yourself on the evening itself. But for now, he's calling it quits.

Bert Visscher: Stoffe Jongens

Registration of the theatre program by the Dutch comedian Herman Finkers. After 7 years of silence Herman Finkers returns back on stage to merge humor and seriousness and shows a disease can actually change a person.

Youp van 't Hek: Schreeuwstorm

Registration of the first theatre program by the Dutch comedian Theo Maassen.