Ek Ladka Ek Ladki

A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

Thorny questions of love and sexuality take centre stage in this magical realist drama in which a genderless woodland being crashes into the lives of a jaded couple.

A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

Conflict between the "haves" and "have nots" in a feudal state, is spearheaded by an outlaw, with his band of associates, horse and dog, providing all action, suspense and tempo. The chief minister and his supporters try their best to thwart the revolt which ultimately succeeds in unexpected way. - It was a unique world for "Baazigar", where the pattern of society was thrilling, fascinating and with liberty - a strange socialistic pattern!. . The chief Minister of State Mansingh believed that Baazigar is a dangerous blood-thirsty dacoit of notorious indetification in society!

Samar wants to be successful in life but his parents force him to get married. His wife is shy and reserved and Samar does not like this. The other members in the family often ill-treat her.

Set in present-day Lucknow, Gulabo Sitabo is a social satire about two impossibly peculiar human beings, Mirza Chunnan Nawab, who stays in a dilapidated mansion and one of the tenants, Bankey Rastogi.

To earn extra cash, Mickey helps couples break up — but life gets complicated when he falls for Tinni, a career woman with an independent streak.

A naive bullock-cart driver falls for a traveling dancer.

The story is about a priest, Father Ferriera, who unwittingly becomes a witness to the rape and murder of a village woman by the rich man of the village, Chandulal Seth. Father Ferriera is framed for the crime by Chandulal Seth and is sent to the jail instead. During the jail time spent Father Ferriera develops a good friendship with some of the jail mates. On release from the jail, he along with his former jail mates decide on taking revenge with Chandulal Seth who is now one of the richest jewelers of the world.

Vikram (Mohammad Iqbal Khan) and Ajay (Anuj Sawhney), and an accomplice, John D'Souza (Paresh Rawal), become prime suspects, and are on the run. They must apprehend Chindi and recover the crown to absolve themselves of this crime. While being chased by security guards, the trio crash into a wall, and are transported back to the 10th century, straight into the palace of Emperor Babushah himself.They realize that only a miracle can get them back to the 21st century.

At midnight on his 10th birthday, a boy scours the lesser-known Kolkata streets in search of a father he’s never met, carrying a letter he can’t read.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.

Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.

It's love at first sight for Anjali and Jai Walia. However, after Anjali gets an anonymous tip-off about Jai's alleged infidelity, cracks begin to appear in their once happy marriage.

As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.

In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.

The idea behind Ya Rab is to show how Islam has been used as a tool to propagate terrorism. The film focuses on issues where so called self proclaimed Maulanas (Islamic Preachers) misinterpret The Quran and its real meaning to breed terrorists and terrorist activity. Ya Rab is a genuine effort to show the right face of Islam and to guide the misguided on the right path.

A young boy. A quaint hilly town. Everything that can go wrong will go wrong. Perhaps, that is what metamorphosis needs. Syaahi is a coming of age story of a young boy, portraying seemingly simple events of childhood.

Veer Vs Heer