Christmas Tree

The spirits of life and death go for a drive in this darkly humorous fantasia featuring an original score by Quincy Jones.

Earth is visited by a race of aliens, who issue an ultimatum: either peace or complete destruction.

In 1970s Iran, Marjane 'Marji' Satrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.

A transhumanist romance in the near future. A young boy of modest origins, Marcus, an H- , falls madly in love with an H+.

It ain't easy bein' green -- especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot -- a wisecracking donkey.

Wendy Tilby's Tables of Content was her graduation film from the Emily Carr College of Art and Design, Vancouver in 1986. The movie transports one into another era, an earlier age of gentility and reticence, set in a rather stuffy restaurant during the day.

An alliance of evil-doers, led by Frieda, looks to take over Fairy Tale Land. But when Ella realizes her stepmother is out to ruin her storybook existence, she takes a dramatic turn and blossoms into the leader of the resistance effort.

A lonely fisherman drifts into haunted waters in search of food and finds much more than he bargained for. Based on an Inuit folktale.

This short animation features four guests of curious demeanour who commit unforgivable acts at the dining table. Food flies everywhere while the guests prop their feet up and talk with their mouths full. Thankfully, Lady Fishbourne’s eating etiquette instructions will show these dinner party misfits the error of their ways.

Early abstract 3D film by animation master Norman McLaren and collaborator Evelyn Lambart.

A mere sight of a gray wolf terrifies the entire village. There’s just one little girl who can empathize with the wolf and even make friends with him.

"We Go Past Future" is an experimental paper collage film by Anna Malina. The film reimagines a series of Soviet films from 1919 to 1953, blending them into a unique visual narrative.

Camille's life is ruled by the ring of the alarm clock each morning. Her well-ordered life consists of preparing her cat's meals, and hearing the familiar sound of the automatic till in the store where she works as the cashier. But one day, a man enters her home without her knowing and starts living there during the day while she's at work. Little by little, he will free her from her chains.

The Care Bears team up with a troubled brother and sister who just moved to a new town to help a neglected young magician's apprentice whose evil spell book causes sinister things to happen.

Men and women, all dressing up, awaiting, tempting, enjoying the bliss or sadly unsuccessful. Delights of the body, yearning, excitement, luxury, decadence, erotic of the common day. The erotic as frivolous, mischievous, frolic, comic and sometimes also slightly serious animated musical erotic fantasy. Much like the modern dance art, the film is marked by interplay of the visual and musical components – picture, rhythm, color, motion. The film consists of separate sequences, each of them accompanied by individual musical movements of Mr. Saint-Saens’s compo­sition.

I told him I was a filmmaker... and nothing has changed. Amid these landscapes traipses the soul, at times certain, at others uncertain of its own existence, while the body is and is and is and has no place of its own.

Lara Croft, the virtual girl-doll of the late 20th century, is recast as a triad of her personas: the alien, the orphan, and the clone in this work based on appropriated footage from the game Tomb Raider.

Several scary black-and-white animated segments in different styles appeal to our fear(s) of the dark.

The presence of the moon affects all under its glow. The film explores the lunar cycle and the energies invoked by its radiance.

Oscar is a small fish whose big aspirations often get him into trouble. Meanwhile, Lenny is a great white shark with a surprising secret that no sea creature would guess: He's a vegetarian. When a lie turns Oscar into an improbable hero and Lenny becomes an outcast, the two form an unlikely friendship.