Lejano Interior

A short film by Barry Lowe and Dino Mahoney, starring Pauline Burton as Anna. The film is an introduction to the great Soviet era modernist poet, Anna Akhmatova; shot in winter in Saint Petersburg (Leningrad), it contains rare interviews with people who knew her, academics, and dramatized readings of some of her poems.

Metropia

The women follows a woman's journey to redefine herself after her husband's death, navigating newfound freedom and self-recognition. Inspired by Marta Feuchtwanger, this essay film challenges perceptions of women's roles and relationships.

An experimental documentary about dead turtles, crab swarms, decaying tennis courts, and microscopic histories. The filmmakers shot their explorations into the abandoned golf courses, factories, and resorts of Sarasota, Florida and spoke to local youths who are using them for new and strange purposes. What would the Surrealists and Situationists think of a suburban, subtropical tourist town? What goes on in a storage unit in the dead of night? What is the afterlife of a decommissioned train car? What ghosts haunt a ruined hotel? What is the life cycle of a city? When will waters wash it all away?

Die Liebe stört der kalte Tod

Premiered at the 2017 Locarno International Film Festival.

In this video I share my experience as the first Resident of the Harun Farocki Institut in Berlin during the winter of 2016-2017. Produced for the Goethe Institute.

Rastros que Deixamos

In an age of chaos, destruction, and decay, the resurrection of nature was the last ray of vitality and a testament to survival. The film ventures into the haunting remnants of humanity, the silent witness of its collective collapse, and the ethereal rebirth of nature in the absence of mankind. The intriguing scenes are experienced through an omnipresent and atemporal perspective.

A love letter to cinema and a personal reflection on loneliness. Segment from Fringe Hippo's anthology film "Elegy Apokalypto".

Nonstop

In this portrait film, we meet Inger Christensen in her apartment in Østerbro, Copenhagen, where she tells of her life and work, and reads excerpts from her major works.

This film essay is inspired by Leonid Trauberg's eponymous autobiographical text. It also sheds light on his public condemnation in 1949 as a leader of the "cosmopolitans," accused of "only causing harm to Soviet cinema," as well as his enthusiasm for silent slapstick comedies, the novels of P.G. Wodehouse and G.K. Chesterton, and his fascination with the lost FEKS film, The Adventures of Octobrine.

Filmed on location in Montana and Washington State, this 1976 biography of poet and teacher Richard Hugo features readings of some of his most famous poems as well as interviews with his family and friends.

In this deeply personal video diary, a young researcher tries to make sense of her fascination for the film "The Pain of Others" by Penny Lane. A deep dive into the discomforting world of YouTube and online conspiracies, that challenges traditional notions of what documentary cinema is, or should be.

Combining the authenticity of Indigenous writer Rebecca Thomas' narrative, the power of poetry, and stunning animation, "I Place You into the Fire" invites viewers to consider their roles in fostering understanding, compassion and justice.

A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.

In Song of Myself (Section 51) we meet Thomas Michael Smith- a retired social worker, sign language interpreter, openly gay deacon in the Catholic church, and part time drag queen. Over a tour of his space, he shares what life containing multitudes looks like for him.

Song is a story of the last Finnish rune singer and his pupil, and the comforting power of singing.

Equal parts documentary, visual essay, experimental collage narrative, and parodic homage to and of all things Barbie, this caustic and exciting visual foray embraces the complicated terrain of feminist discourse, cultural criticism, and political rhetoric, as well as insights on gender, identity, and personal experience where all roads lead back to the phenomena that is Barbie.