Ballet terrain vague

A man and a woman meet in the ruins of post-war Poland. With vastly different backgrounds and temperaments, they are fatally mismatched and yet drawn to each other.

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

A cinematic meeting point between nature and technology, Doug Aitken’s unearthly short is enfolded in evocative hymns whose voices are eerily AI-generated. Glimmering phone screens might have replaced the starry Milky Way, yet the famous Venice Beach still hums with the vibrancy of human activities.

A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.

An old timbal performer in a puppet theater has a secret past.

During a game of catch-the-boy-and-kiss-him, Emmy, a precocious ten-year-old, kisses another little girl, Alice.

The life of two characters who follow each other beyond the walls.

A romantic drama about two couples shifting sexual dynamics over one night in a music bar.

Pohádka o Honzovi

A teenager's quest for a new look leads to a new personality. Music by Suicide, The Andrew Sisters, James White & The Blacks, Los Microwaves.

Im a big fan of Ryan Gosling. He is a great actor and man.

Le Corsaire

Deep in Hellfest, gigantic metal festival, music gradually takes possession of metalheads.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

A tale about the search for new sensorial experiences and territories. It’s a teaching and learning experience through body exploration and manipulation: two strangers dance with their passion, desire, gestures and contact.

A bittersweet look at life’s many challenges, albeit as experienced by furry, feathered, and slimy creatures who sound and feel all too human.

A dazzling live celebration marking the 25th anniversary of global superstar Christina Aguilera’s beloved holiday album My Kind of Christmas – culminating in an unforgettable visual spectacular; channeling fantasy, grandeur, and theatrical wonder.

An Edgar A. Guest Poetic Gem. It features the original song Take Me Home to the Mountain by Loesser & Herscher.

In this 100% fictional-plot short a fictional freshman, played by an actor named Don Tomkins), becomes smitten with and writes letters to a singer, Ruth Etting (Ruth Etting), on a fictional radio station. His fictional 1930s nerdy friends take her answering letters in return and torment him about no response. The fictional Ruth Etting (played by the real Ruth Etting) meets him and helps him turn the tables on his tormentors.

This unusual and intriguing interpretation of the ballet Cinderella with choreography and staging by the renowned choreographer, Maguy Marin, is set in a doll’s house with costumes to suit. This avant-garde, breakthrough version of the tale of Cinderella, described as a brilliant theatrical triumph, has toured the world since its premiere in 1985 and is acclaimed for its amazing manipulation of mood, its intriguing narrative and innovative staging. The production is regarded by some critics as a stepping stone from classical ballet to something radically new.