Home-Daycare

An enchanted journey through three extraordinary houses built by Master José Zanine on the seaside hillside of Joatinga, in Rio de Janeiro, surrounded by a stunning musical score, specially created for the film by maestro Antonio Carlos Jobim.

The documentary shows the 450 years of the rich history of the city of Rio de Janeiro and its profound transformations, using archive images, 3D simulations and testimonials.

With fireworks forming the word “Rio” in the sky and supermodel Gisele Bundchen shimmering to the tune of “The Girl from Ipanema,” Rio de Janiero welcomed the world to the first Olympic Games in South America with a serious message underlying the celebration: Let’s take care of our planet.

Passatempo

Between 2011 and 2014, the documentary investigated the changes in Rio de Janeiro on behalf of mega-events: UPPs in slums, forced evictions, public spaces privatization and popular uprisings.

Depois da Ocupação

We start in Rio de Janeiro, with the statue of Cristo Redentor on Mount Corcovado, the avenue along the beach, the beauty of an historic city, and the landmark, Sugarloaf. Brazil's 47 million people celebrate racial diversity. From the Copacabana, we travel 40 miles to a resort, Quitandinha, where President Truman spoke. Then it's on to Sao Paulo, a modern, industrial city, and finally to the spectacular waterfalls of Iguazu on the border between Brazil and Argentina.

Elas da Favela

This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.

Baptismo de Terra

Legendary rock band Rush plays the Maracana Stadium in Rio de Janeiro, Brazil, on the final night of the band's 2002 Vapor Trails tour, in front of 40,000 fans.

Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man, threatening to shoot all the passengers. Transmitted live on all Brazilian TV networks, this shocking and tragic-ending event became one of violence's most shocking portraits, and one of the scariest examples of police incompetence and abuse in recent years.

An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey from Jardim Gramacho, the world's largest landfill on the outskirts of Rio de Janeiro, to the heights of international art stardom. Vik collaborates with the brilliant catadores, pickers of recyclable materials, true Shakespearean characters who live and work in the garbage quoting Machiavelli and showing us how to recycle ourselves.

Adeus Paissandu

This Traveltalk series short looks over the South American Andes mountains, and the South American west coast, also Rio de Janeiro.

The Closing Ceremony of the XXXI st Olympiad.

Rap de Saia is a documentary that reports, through the voices and rhymes of the protagonists themselves, part of the historical trajectory of Female Rap in the State of Rio de Janeiro. In addition to its historical trajectory, Rap de Saia brings a collection of themes that leads us to reflect on women in today's society.

The Mangueira slum is the scenario where Tantinho and the old samba composers remember stories about the slums and samba.

Documentary about the band Zumbi do Mato, known in the underground musical scene of Rio de Janeiro for the humorous and surreal songs, written in a style of flow of conscience and full of scathing allusions to popular culture.

Documentary about the punk began in Rio de Janeiro, the first punk band: Coquetel Molotov. The band Coquetel Molotov came in 1981 in Rio de Janeiro, in the suburbs, in the neighborhood of Meier, most of the members were students and skaters the Campo Grande rink and Tatu and Lúcio Flávio as members, some time later, both conquer the national and international championships skate. Two other components were Cesar and Omar Nine. The Brazil was at that time a critical political situation and undefined, with many social changes; Punk came as a cry for freedom among young people with no future prospects, the periphery, the suburbs, the megalopolis, against a crushing system with huge social differences, the motto of the youth of that time was the "Do It Yourself".