Muse: The Making of Absolution

«All my mom’s teeth fell out, I’m only going for about three months and I return» was what Pancho dreamed of fulfilling when he crossed the US border without papers, but an accident during the trip transformed his life and his aunt Margarita.

Several behind the scenes aspects of the movie-making business, which results in the enjoyment the movie going public has in going to the theater, are presented. They include: the production of celluloid aka film stock, the materials used in the production of which include cotton and silver; construction crews who build sets including those to look like cities, towns and villages around the world; a visit with Jack Dawn who demonstrates the process of creating a makeup design; the screen testing process, where many an acting hopeful gets his/her start; the work of the candid camera man, the prying eyes behind the movie camera; a visit with Adrian, who designs the clothes worn by many of the stars on screen; and a visit with Herbert Stothart as he conducts his musical score for Conquest (1937). These behind the scenes looks provide the opportunity to get acquainted with the cavalcade of MGM stars and their productions that will grace the silver screen in the 1937/38 movie season.

Compilation of lighting and costume tests from various films, most notably Sternberg's "The Devil Is a Woman" (1935).

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

At 22, Alain is already a living legend in Marseille. Of all the young divers who jump from the Corniche, he is the only one to dive head and neck forward "to break the water". If the jump allows him to control his impulses, he knows that he will not be able to brave forever the fear of heights.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

Fired from his band and hard up for cash, guitarist and vocalist Dewey Finn finagles his way into a job as a fifth-grade substitute teacher at a private school, where he secretly begins teaching his students the finer points of rock 'n' roll. The school's hard-nosed principal is rightly suspicious of Finn's activities. But Finn's roommate remains in the dark about what he's doing.

In the seventies Strange Fruit were it. They lived the rock lifestyle to the max, groupies, drugs, internal tension and an ex front man dead from an overdose. Even their demise was glamorous; when lightning struck the stage during an outdoor festival. 20 years on and these former rock gods they have now sunk deep into obscurity when the idea of a reunion tour is lodged in the head of Tony, former keyboard player of the Fruits. Tony sets out to find his former bandmates with the help of former manager Karen to see if they can recapture the magic and give themselves a second chance.

After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.

In 1969, Akbar Padamsee, one of the pioneers of Modern Indian painting, made a visionary 16mm film called Events in a Cloud Chamber. This was one of the only Indian experimental films ever made. The print is now lost and no copies exist. Over 40 years later, filmmaker Ashim Ahluwalia worked with Padamsee, now 89 years old, to remake the film.

A short documentary focusing on the surfer culture and tourism in Nicaragua.

Join Heart, the revolutionary rock band fronted by sisters Ann and Nancy Wilson, as they bring passion and energy to an explosive 23-song set that touches on every era of their awe-inspiring career - from Dreamboat Annie's "Magic Man" and "Crazy On You" to the 80's hits "These Dreams" Heart's most recent studio album, Jupiter Darling, plus rare covers of Led Zeppelin's "Misty Mountain Hop" and Elton John's "Love Song."

"YANOYA" project of Akiko Yano and Tokyo University of the Arts

One night seven years ago, Rafael came home after work and discovered that people he did not know had come looking for him. He immediately fled, without looking back. From that moment on, his life changed, as if that night had never ended. One evening, around an improvised fire near a factory, he decides to confide his journey to a stranger. Rafael’s intimate account meets the collective testimony of an entire nation oppressed by poverty, police repression and institutional corruption.

An Experiment in Leisure explores the link between free time and creativity, between leisure and the kind of imaginative contemplation it facilitates.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

The fourth generation in his family to be born intersex, Jewish Rabbi Levi was assigned the female gender at birth and grew up thinking he was sick and defective. "In the Image of God" tells the story of his struggles and transitions, culminating today in a life as a religious leader and an LGBTQI+ activist living happily in Los Angeles with his wife.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”

Short documentary showing the chain of production in Belgium.